27 November 2020

Guest Review: Damascus by Christos Tsiolkas

Damascus by Christos Tsiolkas book cover
* Copy courtesy of Allen & Unwin *

I recently mentioned Australian author Christos Tsiolkas in my review of Northside, however despite how much respect I have for the author and how much I enjoy watching him speak in interviews, I've resigned myself to the fact that Damascus just isn't for me. Not to worry, guest reviewer Neil Béchervaise picked it up instead and offers the following review.

Blurb

Christos Tsiolkas' stunning new novel Damascus is a work of soaring ambition and achievement, of immense power and epic scope, taking as its subject nothing less than events surrounding the birth and establishment of the Christian church. Based around the gospels and letters of St Paul, and focusing on characters one and two generations on from the death of Christ, as well as Paul (Saul) himself, Damascus nevertheless explores the themes that have always obsessed Tsiolkas as a writer: class, religion, masculinity, patriarchy, colonisation, exile; the ways in which nations, societies, communities, families and individuals are united and divided - it's all here, the contemporary and urgent questions, perennial concerns made vivid and visceral.

In Damascus, Tsiolkas has written a masterpiece of imagination and transformation: an historical novel of immense power and an unflinching dissection of doubt and faith, tyranny and revolution, and cruelty and sacrifice.

Neil's Review

If, as the publishers assure us, Damascus is “a masterpiece of imagination and transformation” then we may be forgiven for wondering why so much is so predictable. Of course, we probably know the story of Saul/Paul and his transformational road to Damascus experience. We are familiar with the misogyny attributed to the region and the period. We may even be familiar with Saul/Paul’s writings about the acts of the early Christian apostles and his letters to the early Christian enclaves. We may be less familiar with the fact that he was born about 4 BCE, that he was a Greek speaker and his trade was tent-making.

Tsiolkas’ multi-voiced narrative offers a broad critique of Saul/Paul’s probable background, his formative experiences, his response to those with whom his beliefs conflicted and the reaction of those who were close to him, as friends, relatives and jailers.

Damascus is a tough read. The emotional challenges of the brutality and on-going misogyny grate against the apparently unquestioning and unquestionable acceptance of the need to turn the other cheek and to love thy neighbour. In a jealous, raging argument with Paul, Christ’s ‘twin’ brother, Thomas dismissively spits, “And it was on the road that he realised, Roman, Jewish, Samaritan, Arab, Greek, none of that mattered. It’s how you treat your neighbour, the stranger, the exile – only that matters”.

Paul’s self-seeking and jealous insistence on his personal rightness and righteousness provide a stark contrast with those who do not totally agree with him. His attitudes and his actions appear to be at odds with the Paul whom Tsiolkas appears to be championing. The increasingly biblical writing style towards the end of the novel appears to me to be at odds with the author’s stated intent, “I wanted to do the impossible: to be faithful to both Paul and Thomas”. Perhaps it is the extent to which Tsiolkas achieves his intent that ultimately determines the value of his ‘journey’.

You can seize this book at Booktopia.


Neil's Rating:


23 November 2020

Review: The Ultimate Bucket List - 50 Buckets You Must See Before You Die by Dixe Wills

The Ultimate Bucket List - 50 Buckets You Must See Before You Die by Dixe Wills book cover
* Copy courtesy of Allen & Unwin *

I'm so confused by this book, I hardly know where to begin. Regular readers at Carpe Librum will know I enjoy reading a variety of non-fiction titles and was looking forward to reading The Ultimate Bucket List - 50 Buckets You Must See Before You Die by Dixe Wills for Non Fiction November.

I thought this book would act as an interesting vessel for a bucketload of information on some very interesting historic moments, events, people and innovations. Having turned the last page of this beautiful little hardback, I don't actually know what I just read.

At first, I was constantly checking Wikipedia to find out whether the bucket entries were real or imagined. With entries varying from the Bobrinski Bucket (a fascinating bronze bucket made in 1163 and mentioned on page 65) to the Bucket Fountain in New Zealand (a real and ugly fountain on page 136) to the head scratching entry of Taylor Swift's Bucket on page 105. (What was that all about?)

Some of the subject matter was obscure and made references and in-jokes that went way over my head. Simultaneously, the book is also full of silly offbeat humour and imagined dialogue, accompanied by comic illustrations making light of the topic and I couldn't work out whether the author was 'taking the piss' or using comic relief to make the subject matter less intimidating or more approachable. It was thoroughly confusing.

Is this satire? Is it a toilet joke book? I'm not sure what it was, but as a reader I was disappointed. The author was clearly well researched and provided a list of 50 buckets from all walks of life and periods in history. I found that I was frequently putting the book down to fact check when the author could easily have supplied adequate details to satisfy the reader's genuine curiosity. It's hard to imagine the reader who will understand all of the 50 entries provided without some serious Googling.

If Dixe Wills had written a serious book about the subject matter, with photographs - instead of crazy illustrations reminiscent of Quentin Blake - The Ultimate Bucket List could have been a 5 star read.

You can seize this book at Booktopia.



My Rating:


20 November 2020

Review: Northside by Warren Kirk

Northside by Warren Kirk book cover
* Copy courtesy of Scribe Publications *

Warren Kirk is an Australian photographer living in Melbourne and Northside - A time and place is the first collection of his I've read. In it, he uses his creative eye to photograph people, workplaces, homes and buildings in Melbourne's northern suburbs and the results are engrossing.

Northside begins with an introduction by well known author Christos Tsiolkas who expertly prepares the reader for the nostalgic journey to the past which is to follow.

This collection focusses on scenes that seem frozen in time and they made me incredibly nostalgic for a lost era; a time not too long ago that still exists in little known pockets of society that Kirk seems to have a knack for uncovering.

Some of the photos had an exhilarating effect, making me want to jump up and help clean a workspace or re-arrange the shelf displays in a milk bar while others had a calming effect, as thoughts of previous generations and the lives they led in those places washed over me.

Kirk's photographs stir reflections about the human impact on the spaces we inhabit, the immigrant experience, appreciation for the work ethic of blue collar workers and nostalgia for an era in time some of us can still recall or see in echoes all around us.

I dearly wish Kirk had provided some accompanying text for each of the photographs to explain a little about the subjects or subject matter, however I understand that not knowing anything about the subject matter forces the reader to imagine the life and spaces depicted.

Northside by Warren Kirk has captured and preserved a slice of Melbourne's social history that I believe is important and will be enjoyed by many.

You can seize this book at Booktopia.


My Rating:


18 November 2020

Review: Honeybee by Craig Silvey

Honeybee by Craig Silvey book cover
Published September 2020
RRP $32.99 AUD
* Copy courtesy of Allen & Unwin *

Sam Watson's voice captured my heart immediately and wouldn't let go. All I knew about Honeybee going in was the premise. A 14yo boy Sam climbs over the rail of an overpass and is ready to jump. At the other end of the same bridge is an older man Vic, smoking his last cigarette. The two make eye contact and their lives change from that moment on.

Wow, what a premise! I was instantly hooked and the relationship between Sam and Vic slowly crept up on me. Sam is a young teen on a journey of self discovery and Vic is dealing with grief and a loss of identity and purpose. The trajectories of their lives filled me with hope and their unforgettable relationship produced an unexpected coming-of-age story.

A lot goes on and I did have to suspend my belief quite a few times, however readers everywhere are falling in love with Sam and I'm predicting some awards will follow for Honeybee.

I also predict much will be made of the author writing a teenage trans character given he is a straight cis-gender man himself, but I won't be doing that here. I'm all for own voices - obviously - but I believe the job of an author is to imagine, research and write.... fiction! Ken Follett wasn't alive in 997AD and has no lived experience of the era, yet he researched and gave us The Evening and the Morning. Christopher Paolini hasn't been to space (at least I don't think he has) yet he gave us a stellar space opera To Sleep In A Sea of Stars.

Authors write characters with all kinds of traits and experiences they themselves doesn't possess, and as a reader, I don't feel the need to examine every book to determine whether or not the author has the lived experience of the main character. It's just not important to me. 

I do care whether the writing is good, the plot engaging and the characters convincing. In this case, Sam Watson felt very real to me and I cared deeply about him as the book progressed.

Re-reading my 2014 review of Jasper Jones, I wrote that "Jasper Jones is a coming-of-age story with a distinct Australian feel" and I can honestly say the same about Honeybee. However, don't be fooled, Honeybee is nothing like Jasper Jones. The two young protagonists in both books are completely different; the only thing uniting them being that Silvey has done a great job of offering the reader another moving coming-of-age story set in WA.

It's been 10 years since the release and subsequent success of Jasper Jones and I really enjoyed listening to the author chat with Cheryl Akle about Honeybee and books on the Better Reading podcast. Silvey is such a terrific Australian talent and yet remains so likeable and humble about his writing success that you can't help but trust him as a reader.

Honeybee by Craig Silvey is highly recommended for YA and adult readers and I look forward to whatever he writes next.

You can seize this book at Booktopia.



My Rating:


16 November 2020

Guest Review: Operation Certain Death by Kim Hughes

Operation Certain Death by Kim Hughes book cover
* Copy courtesy of Simon & Schuster *

Kim Hughes GC is a bomb disposal expert in the British Army and received the George Cross for his gallantry during the Afghanistan conflict. Operation Certain Death is his debut novel introducing his protagonist, Staff Sergeant Dominic Riley.

Neil Béchervaise thoroughly enjoyed Operation Certain Death and shares his 5 star review for Carpe Librum readers below.


BLURB

He thought he left the war behind. But it's come home with him.

A bomb explodes in a newly designed shopping complex in the centre of Nottingham, ripping through the lives of everyone in its wake. Confirmed as a targeted, terrorist attack, special units are quickly brought in to lock down the area.

For bomb-disposal expert, Staff Sergeant Dominic Riley, Afghanistan never feels far away and that’s especially true on the morning of the bombing. Riley isn’t on active duty, but that doesn’t stop him fighting his way to the destruction – which is only just beginning.

What he doesn’t yet know is that this is just the start – that the bomb-maker and those who hired him have bigger plans in place, ones that are designed for maximum destruction. Plans that are personal. For Riley – and his family.

It’s a race against time to work out the link before more people are killed – because Riley is our only hope. And he just might be our last.

Neil's Review

I must admit that I have never really thought about the motives behind terrorism. The mere word seems to have blocked further logical thought. Maybe, then, I am both complicit in its ‘value’ and an uncounted victim of its effectiveness. Either way, Kim Hughes' latest novel has woken me to both the human, ideological and wider political motivations for the seemingly senseless violence that is all too easily media-linked to religious and extreme nationalistic violence.

As a former British bomb-disposal expert, Hughes engages us with the dangers of his career, the personal emotional challenges of living with PTSD and the increasingly broad motives of the terrorist’s world. From seeing his closest friend blown apart to living with that same friend’s voice in his head as an on-going guide and critic or differentiating the motives of international terrorists, Hughes' protagonist lives a tenuous existence within and beyond the margins of the law.

Investigating a bomb explosion in the centre of Nottingham, Staff Sergeant Dominic Riley discovers he is personally targeted. His ex-wife and daughter are endangered, his grandparents, formerly active but still engaged MI5 agents are involved and his former Afghan interpreter is motivation for one of the bombers.

Increasing the pressure, a second thread to the terrorist threat is revealed, Irish extremists are still actively resentful of their post-colonial ‘British masters’ and following an equally familiar thread, an active Russian spy ring is involved.

All of this seems vaguely familiar. The former Russian spies poisoned with radio-active isotopes come to mind. The American paranoia since 9/11 seems relevant. The New Zealand mosque shootings seem much closer than an election away and the ongoing British concerns with Ireland stir up the mud of the Covid epidemic.

Yes, it is familiar but, in Riley’s hands, it starts to seem very up-close and personal. We begin to envision the realities behind the radicalisation of young men and women across the ‘free world’ to the Taliban/Al Qaeda cause. We begin to comprehend the desire for revenge of families who have tragically lost their loved ones to endless ‘wars of terror’. Riley personalises and summarises the stuff of generations of colonial peacemakers, the stuff that Kipling was writing from the Raj, that Churchill was reporting from the Northwest Frontier, that Graham Greene used to bring Vietnam to life a generation before America and Australia found war essential.

The unique point of view presented in Operation Certain Death complicates simplistic media images of terrorist motives. Riley substantiates the roles of personal grief, family care, revenge and retribution within the arc of international political subversion in Britain, and indeed internationally at this very moment. In doing so, he presents a powerful insight into the times we live in, he offers us an amazing immediacy and, for this reader at least, he quietly suggests that maybe it is time to wake up to the cost of oversimplifying violence.

You can seize this book at Booktopia.



Neil's Rating:


12 November 2020

Extract from Humans by HONY Photographer Brandon Stanton

Humans by Brandon Stanton book cover
Published by Macmillan
RRP 44.99 AUD
Brandon Stanton is the photographer behind the well known Humans of New York (HONY) series of photographs with accompanying interviews. His popular series has expanded across several countries and I've always found his work incredibly moving. If you haven't had the pleasure yet, check out his website.

Brandon Stanton has a new book out called Humans and I'm pleased to be sharing an extract with you today thanks to Pan Macmillan Australia. Enjoy this edited extract from Humans by Brandon Stanton, published by Macmillan, RRP $44.99 AUD.

Blurb

Brandon Stanton’s Humans is a book that connects readers as global citizens at a time when erecting more borders is the order of the day. It shows us the entire world, one story at a time . . .

Brandon Stanton’s Humans – his most moving and compelling book to date – shows us the world. After five years of traveling the globe, the creator of Humans of New York brings people from all parts of the world into a conversation with readers. He ignores borders, chronicles lives and shows us the faces of the world as he saw them. His travels took him from London, Paris and Rome to Iraq, Dubai, Ukraine, Pakistan, Jordan, Uganda, Vietnam, Israel and every other place in between. His interviews go deeper than before. His chronicling of peoples’ lives shows the experience of a writer who has traveled widely and thought deeply about the state of our world.

Including hundreds of photos and stories of the people he met and talked with in over forty countries, Humans is classic Brandon Stanton – a fully color illustrated book that includes many photos and stories never seen before. For the first time for a HONY title, Humans will contain several of the essays Brandon’s posted online which have been read, loved and enthusiastically shared by his followers.



You can seize this book at Booktopia.



11 November 2020

Review: A Girl Made of Air by Nydia Hetherington

A Girl Made of Air by Nydia Hetherington book cover
* Copy courtesy of Hachette Australia *

With one of the most attractive cover designs of the year, A Girl Made of Air is the debut novel by Nydia Hetherington. 

Beginning as an interview for the New York Times, our narrator slowly begins to share her life story. The reader learns upfront she was the The Greatest Funambulist Who Ever Lived and now finds herself searching for a lost child. (Fun fact: A funambulist is a tightrope walker).

Mouse was born into a circus family but remained an outcast within the unusual circus community. Her mother and father didn't take an interest in her upbringing and Mouse was left to her own devices and withdrew into herself. When Serendipity Wilson came along, Mouse's entire world changed.

This story is told by Mouse in her later years as she reflects on her life and shares details that build towards her search for a person lost in time. In order to piece together her history, Mouse shares her memories, letters and journal entries in an attempt to pull together the story of her life. She also includes stories within stories that were felt like fables, myths and folklore. The style put me in mind of The Starless Sea by Erin Morgenstern and Flyaway by Kathleen Jennings; both read earlier this year.

The narrator gives us the impression of a table covered with snippets that she is crafting into a cohesive story but I found it was too piecemeal for me. I didn't find this method particularly effective and it felt a little disjointed for my liking. It'd be interesting to know if the story was 'carved up' into this style to suit the narrative or whether it was written in this style and the narrative grew up around the content to explain the various 'entries' and insertion of different material.

Adding to the disrupted flow was the lack of dialogue punctuation and the use of italics to indicate when certain characters were speaking. I know this is a popular literary device, however I'm one of those readers who struggles without punctuation for speech.

Given the circus setting, I'm sure comparisons will be made between A Girl Made of Air and The Night Circus by Erin Morgenstern, but I haven't read The Night Circus so it didn't influence my reading experience of this novel in any way; positive or negative.

A Girl Made of Air is an historical fiction fantasy novel touched by magical realism with characters you will remember. The narrator often addresses the reader (or interviewer for whom this text is intended) directly, and I'll leave you with an example from page 318:
'Are you wondering if there's to be a happy ending? I wish I could tell you. We must find the answer together.' Page 318
If you enjoyed The Starless Sea by Erin Morgenstern, I think you'll love this.

You can seize this book at Booktopia.



My Rating:


09 November 2020

Review: Sh*t Moments in New Zealand Sport by Rick Furphy & Geoff Rissole

Sh*t Moments in New Zealand Sport by Rick Furphy & Geoff Rissole book cover
* Copy courtesy of Allen & Unwin *


The Kiwi duo of Rick Furphy and Geoff Rissole are back and this time they're giving readers Sh*t Moments in New Zealand Sport.

Here Furphy and Rissole cover some of the greatest losses and terrible moments in New Zealand sporting history.

My favourite moment of the book was learning that in 1996 the America's Cup was on display in Auckland's Royal New Zealand Yacht Squadron when it was damaged by a Maori sovereignty activist. He broke into the building and smashed the display case and hit the trophy so many times with a sledgehammer, it was feared the cup was beyond saving. I rushed off to Wikipedia to learn that it took silversmiths three months to restore the trophy to its original condition. How have I not heard about this? (Page 43)

While that was certainly the highlight of the book, the lowlight came on page 71, when authors explain that:
'The combined New Zealand and Australian Competitive Hill Climbing team travelled to Gallipoli in 1915 in their first international tour...Unfortunately, they copped a rough draw and ended up facing the very formidable Turkish team on home soil. Powered by Anzac biscuits and an unquestioned belief in God, King and Country, the New Zealanders gave it their best shot but ultimately ended up suffering a grievous loss.' Page 71
Now, you don't need to be a Veteran to take offence at this. Just re-reading it again so I could write this review had me wishing I'd set this book aside at this point. War is not a sport and it certainly shouldn't be fodder for jokes as low as this. This was incredibly poor taste and while I recognise Furphy and Rissole are experts at taking the piss, there's nothing even remotely funny about this.

Using the word poof on page 85 was also offensive and I'm surprised these two entries survived the editing process.

It was mildly interesting that New Zealand didn't win any medals at the Moscow Olympics in 1980 (Page 96), but by then I didn't care. With cricket and rugby dominating the content and the offensive content above, I was glad to reach the end.

Reflecting that Kiwis hate losing to Australia, I'll leave you with an amusing quote from page 102, the only shining moment of the book:
'Much like a horror-movie villain, Australian sports teams are never dead and buried until the head is decapitated, the body burnt to a cinder and whatever remains is flung into the sun.'
Ultimately, their first book Sh*t Towns of New Zealand (written by Anonymous) remains their best. I'd advise reading that instead and giving this one a miss.

You can seize this book at Booktopia.


My Rating:



06 November 2020

Guest Review: Finding Eadie by Caroline Beecham

Finding Eadie by Caroline Beecham book cover
Published July 2020
* Copy courtesy of Allen and Unwin *

I'm throwing to guest reviewer Neil Béchervaise to close out the week with his glowing review of Finding Eadie by popular Australian author Caroline Beecham. Over to you Neil.


When misguided morality is amplified by wartime poverty, baby-stealing and illegal adoption become sad realities and bomb-devastated Britain provides a raw emotional setting for Beecham’s latest novel.

Set within the heart of the second world war book-publishing industry, Finding Eadie is a compelling thriller with a fascinating historical basis. The German blitzing of London’s Paternoster Row, home of many of Britain’s major publishers, shortages of paper and the metals required for typesetting have led to major business re-prioritisations. These have been compounded by the movement of skilled workers into the armed forces and American initiatives to maintain the flow of new books by printing soft-cover editions and pocket-sized books for ease of transport.

In 1943, babies and young children are being bought and sold, both legally and illegally across Britain. Many are being shipped to safety overseas and the 1939 Adoption Regulation Act has still not been passed. Newspaper advertisements seeking babies remain common and, despite the efforts of the newly formed National Children’s Adoption Agency, child trafficking and baby-farming remains common.

Waking from sleep after the birth of her new baby, unmarried book editor, Alice Cotton discovers that her deeply religious mother has sold the child for adoption to avoid the shame of admitting the child’s illegitimacy. Finding her baby, quite naturally, becomes Alice’s obsession and, despite her fear of losing both her friends and her job and the very real threat to her own safety, she moves with sleuth-like precision to find Eadie and bring her home.

Weaving the hunger for new titles among the armed forces at war with the need for gripping stories, Caroline Beecham provides a highly credible account of the wartime lust for reading in that pre-television age. At the same time, she explores the discomfort and dangers of travel across the Atlantic, the fragility of relationships as soldiers die in battle and the personal impact of brutalising financial planning as it impacts the publishing industry.

Finding Eadie is a rare delight in our Covid-embattled climate where unemployment, love and even survival are mingled with threatening journeys through largely unfamiliar experiences. At a point when we are still unravelling the complexities of stolen generations, well-meaning ‘adoptions’ and the issues of illegitimacy in religious settings, this novel comes as a sheer delight. 

Intriguing, heart-rending and, ultimately, intensely informative, this story had me reading deep into the night to reach the outcome.

You can seize this book at Booktopia.


Neil's Rating:


04 November 2020

Review: The Essex Serpent by Sarah Perry

The Essex Serpent by Sarah Perry book cover
I received this gorgeous copy of The Essex Serpent by Sarah Perry for Christmas last year and decided now was the perfect time to read it.

This historical fiction novel begins in London 1893 where we meet recently widowed Cora Seaborne and her son; Cora's companion; and Cora's Doctor friend and his colleague. The narrative soon moves to Essex where Cora meets the local vicar William Ransome and his family in their little community.

The Essex Serpent is a slow moving meandering novel, with the characters orbiting around each other. Cora is searching for fossils and loves being in the outdoors enjoying her newly discovered freedom. It's not long before she learns of the Essex serpent.
"And has Essex yielded any fossils? I saw in the papers some new species was unearthed up on the Norfolk coast after a winter storm: sometimes I think we must be walking on shoals of bodies without realising it and all the earth's a graveyard." Page 104
The locals believe the Essex serpent is responsible for a drowning and other mysterious events and an eerie atmosphere is created that has varying impacts on our characters.
"You are a solipsist, Mrs Seaborne - can you really not imagine that I might take a path which differs from yours and be happy walking there?
No, she thought: no, I cannot." Page 166
The story seeps slowly like the creeping tide of the estuary and those looking for a gripping read or a supernatural thriller will be disappointed.

Instead, readers will discover The Essex Serpent is a character study of relationships and contains many themes that play out between the characters: science and religion; medicine and religion; superstition and religion and the big ones of friendship, love and unrequited love.

The friendship between Cora and William is based on a meeting of the minds and was the highlight of the book for me. Late in the book, Perry perfectly captures what it's like to see a close friend after a long absence:
"Both had saved such stores of anecdote and complaint, of tall tale and half-formed theory, that fully an hour passed without pause. Each made an inventory of the other, totting up with pleasure the well-remembered gesture or the phrases used too often, the tendency to withold or exaggerate, the sudden veering-off into fresh pastures which the other followed at a run." Page 345
The Essex Serpent is a quiet character driven book that reminded me a little of the characters in The Mercies by Kiran Millwood Hargrave and those in Laetitia Rodd and the Case of the Wandering Scholar by Kate Saunders. So if you enjoyed either of those novels, I believe you'll enjoy The Essex Serpent too.

All in all, this was a slow paced character study with some moments of great writing and one of the most beautiful cover designs of 2016. Reading it several years after the hype has settled, I wanted more story so this was just a good read for me.

You can seize this book at Booktopia.



My Rating:


31 October 2020

Sample Chapter for Trust by Chris Hammer

Published by Allen & Unwin
I'm back as promised with the second half of the Allen & Unwin blog tour to celebrate the launch of Trust by Chris Hammer this month.

Today I'm sharing a chapter sample with you, so scroll down and enjoy reading the Prologue of Trust.

Prologue


THE REALISATION SWELLS WITHIN HIM, LIKE A BIRTHING. IT'S HAPPENING RIGHT now, today, in this moment of time, in this sliver of history. After months of gestation—after all the connections and the cultivations, all the plotting and the intrigues, all the threats and the blackmail— it’s this simple. He’s going to get away with it. The files are downloading, faster than he could ever have imagined, transcribing the guilt, the corruption, the criminality, all neatly packaged, all digitised, all pre-digested, pouring from the computer through a supposedly disabled USB port onto the bright blue thumb drive, encryption broken, the truth laid bare, the drive itself hidden by nothing more than his bravado and a takeaway coffee cup. He stands and looks around, his mind electric but his exterior calm, the consummate actor. The consummate spy. He smiles—but, then, he is always smiling.
    The trading floor is a hive of activity, brokers swarming, abuzz with corporate fervour and personal ambition, banks of monitors alive with bonds and equities and derivatives and exchange rates, all fluid, all flickering, all demanding their attention. Simply by standing still, he’s rendered himself invisible. No one is looking at him, no one cares about his monitor, they’re all focused on their own ephemera: numbers and charts and transactions; losses, margins and gains. He feels he is the only point of stillness, the cyclone swirling about him, that he alone possesses the perspective to know what is truly happening across these epochal seconds. It completes his victory; carried out in plain sight, the audacity of it, his own subterfuge disguised by the bank’s own much larger deception. It will make the retelling all the better; this will be the making of him, the stuff of legends. He catches a reflection of himself, only slightly distorted, in the surface of a golden wall panel. He’s pleased with what he sees: hair bouffant, face tanned, eyes bright and teeth even. He likes his face; everyone likes his face. It’s a likeable face. More importantly, it’s a trustworthy face. 
    The transfer is almost done. He lifts the coffee. It tastes excellent. Through the windows of the office tower, he can see the perfect Sydney day, blue and white, the sun pouring benevolence across the skyline, harbour alight, as if the city itself approves the righteousness of his actions. 
    He looks back to the computer, startled to see it’s finished. Already. He blinks, savouring the moment, this tipping point, this culmination. If nothing else, he’ll miss the bank’s state-of-the-art tech, so much faster and efficient than the antiquated systems at his real workplace. He sits. Quickly, he imposes his own encryption on the thumb drive, then runs a purpose-built program to cover his tracks. It takes mere minutes. Then he ejects the drive, pockets it and logs off. Done.
    ‘Early lunch?’ he asks, pausing at the cubicle of Raff, the shift supervisor—the one person he knows won’t accept his invitation.
    ‘Sorry. Bit under the pump,’ says Raff, not lifting his eyes from
his screens. ‘Maybe later in the week.’
    ‘No worries,’ says Tarquin, grinning at his colleague’s predictability. ‘I’ll be an hour or so. You want anything?’
    ‘No. Brought my lunch in.’
    ‘Okay, see you, then.’
    And Tarquin Molloy walks away, his gait confident, as always; his eyes shining, as always; his smile every bit as generous and unflappable as on his first day here. But inside, his stomach is churning and his mind is bubbling with what he has achieved. 
    He enters the lift, hits the button for the lobby, for glory, taking one last look across the trading floor as the doors begin to close, the curtains falling on the final scene. He commits it to memory, for the recounting. Then, at the last, an arm reaches in, forcing the doors open. Tarquin Molloy beams at the newcomer, a tall man, thin and dressed in a vintage suit of coarse brown wool. The doors ease shut.
    ‘Morning,’ says the gentleman, inviting engagement.
    ‘It certainly is,’ he replies. And to Tarquin, he does look like a gentleman. The suit is three-piece, of heavy cloth, as if it’s been transported from somewhere in the mid-twentieth century, immaculately maintained despite its age. There is a patterned kerchief in the suit’s breast pocket and a Legacy badge on its lapel. The man’s face is long, as is his hair, oiled so it stays in place behind his ears. The hair oil, or something, has a pleasant aroma in the confined space. The smell, like the suit and the man’s demeanour, is old-fashioned. His complexion is touched with sepia. A smoker, thinks Tarquin. Old for a trading floor.
    ‘California Poppy,’ says the man.
    ‘Sorry?’
    ‘The hair oil. California Poppy.’
    ‘It smells very nice.’
    ‘Thank you,’ says the man genially. One of his teeth has a gold cap. ‘Hard to come by nowadays.’
    The lift shudders to a halt, but the doors don’t open. They’re stuck between floors.
    ‘That’s strange,’ says Tarquin.
    ‘You don’t know the half of it,’ says the man in the brown suit. He unbuttons his coat and withdraws a revolver. A six-gun, a prop from a Western, a massive thing, matt black and menacing, its handle inlaid with pearl shell. Tarquin’s stomach plummets and his mind begins to reel. The muzzle is pointed at his chest.

You can seize this book at Booktopia.

Blog tour tile for Trust by Chris Hammer

30 October 2020

Participating in Non Fiction November 2020

I had a great reading month for Non Fiction November in 2019 and I'm planning on participating again this year. Hosted by A Book Olive, you only need to read 1 non fiction book to participate in the challenge, or try to read a little more non fiction than you ordinarily would.

I'm also participating in the year long 2020 Non Fiction Reader Challenge hosted by fellow Aussie Shelleyrae over at Book'd Out.

Reflecting on my reading so far this year, I was surprised to discover I've read 8 more non fiction books than this time last year.

Here are the non fiction titles I've read so far in 2020, listed in chronological order:
Underland by Robert Macfarlane, The Ultimate Bucket List by Dixe Wills and Sh*t Moments in New Zealand Sport by Rick Furphy & Geoff Rissole book covers
Now, onto the challenge. Here are some of the titles (listed alphabetically by author) I'm thinking of reading for the challenge:
  • Sh*t Moments in New Zealand Sport by Rick Furphy & Geoff Rissole (currently reading)
  • Grave Tales: Melbourne Vol.1 by Helen Goltz
  • Nodding Off: The Science of Sleep from Cradle to Grave by Alice Gregory
  • On Writing: A Memoir of the Craft by Stephen King
  • Northside by Warren Kirk (currently reading)
  • Underland: A Deep Time Journey by Robert Macfarlane
  • Breath: The New Science of a Lost Art by James Nestor
  • Better than Before: Mastering the Habits of Our Everyday Lives by Gretchen Rubin
  • The Ultimate Bucket List: 50 Buckets You Must See Before You Die by Dixe Wills
Have you read any of these books? What do you think I should read first?

Let me know if you'll be joining in and feel free to share your favourite non fiction read so far this year.


28 October 2020

Guest Review: The Abstainer by Ian McGuire

The Abstainer by Ian McGuire book cover
* Copy courtesy of Simon & Schuster *


Guest reviewer Neil Béchervaise is back to share his thoughts on The Abstainer by Ian McGuire; an historical fiction novel set in 1860s Britain and America.

Blurb

The rebels will be hanged at dawn, and their brotherhood is already plotting revenge.

Manchester, 1867: Stephen Doyle, an Irish-American veteran of the Civil War, arrives from New York with a thirst for blood. He has joined the Fenians, a secret society intent on ending British rule in Ireland by any means necessary. Head Constable James O'Connor has fled grief and drink in Dublin for a sober start in Manchester, and connections with his fellow Irishmen are proving to be particularly advantageous in spying on Fenian activity. When a long-lost nephew returns from America and arrives on O'Connor's doorstep looking for work, O'Connor cannot foresee the way his fragile new life will be imperilled - and how his and Doyle's fates will be intertwined.

In an epic tale of revenge and obsession, master storyteller Ian McGuire once again transports readers to a time when blood begot blood. Moving from the gritty streets of Manchester to the rolling hills of Pennsylvania, The Abstainer is a searing novel in which two men, motivated by family, honour and revenge, must fight for life and legacy.

Neil's Review

From Theobald Wolfe Tone’s 1791 An Argument on Behalf of the Catholics of Ireland through the Irish Rebellion of 1798 to the potato famine which led to mass migration to America and Australia in the early 1800s, British government response led to increasing bitterness and organised reaction by the Catholic Irish in England. Against this background, McGuire’s latest novel, set in the late 1860s in Manchester offers an intriguing insight into the difficulties faced by Irish immigrants into England.

That the brutal meting out of punishment on the presumption of guilt should have generated long-standing hatred for the British and their justice system is unsurprising. It is a hatred that still underpins fears of anti-British terrorist threats, of IRA bombings and radical political extremist groups.

The return of an Irish extremist, Stephen Doyle, from America to organise revenge for the hanging of Fenian colleagues forms the basis for The Abstainer but it is the role of the Irish police officer, James O’Connor in the Manchester constabulary that provides a counter-balance of interests which ignite the plot.

Antagonism against O’Connor because he is Irish makes it difficult for him to enlist the informers he needs to expose the Fenian revenge conspirators. The closeness of the Fenians, equally, make infiltration almost impossible. Infiltration, nevertheless, is achieved and, predictably, it leads to the death of the spy.

So far so good, we may say. At this point, however, things begin to change. An even more prejudiced London policeman is brought in to oversee investigation of the attempted murder of the Manchester mayor. O’Connor is jailed on trumped up charges because he is Irish and witness to an incident in which Doyle shoots O’Connor’s off-sider but allows him to live.

In short order, Doyle flees back to America and O’Connor follows him. This shift allows McGuire to expand Doyle’s back-story, offer a brief account of on-going classist brutality, anti-black racism and coal-mining in Pennsylvania. Saving a brutalised young boy from further beatings at the mine, O’Connor travels to the farm he was brought up on, kills his step-father and, in turn, is killed by Doyle. Got it? I had some trouble here too. 

The story ends with the boy, having travelled to San Francisco (an amazing feat on tattered feet) is educated and converted to Christianity. Proselytising on a street corner to an uncaring crowd of passers-by, the boy fills in the gaps in the latter section of the novel by telling how he was saved by O’Connor, before moving off into a slum alley to live out his degraded life in denial. But maybe that is what, after all, it was all about. 

You can seize this book at Booktopia.



Neil's Rating:


26 October 2020

Winner of Trust by Chris Hammer announced

I TRUST you all enjoyed entering my giveaway to win a copy of Trust by Chris Hammer last week. Thanks to everyone who entered and identified the main character of the series to be journalist Martin Scarsden.

Entries closed at midnight last night and I drew the winner this morning. Congratulations to:

Lois Laird


Congratulations Lois! You've won a print copy of Trust by Chris Hammer valued at $32.99AUD as part of the Allen & Unwin blog tour. You'll receive an email from me shortly informing you of your win, and will have 7 days to provide a postal address.
Trust by Chris Hammer book cover

You'll receive your prize direct from the publisher and I TRUST you'll enjoy this great Aussie crime novel.

For those who missed out, I'll be posting a chapter sample from Trust on 31 October, where you'll be able to read the prologue for free, so be sure to stay tuned for that.

Carpe Librum!



23 October 2020

Review: Rebel Without A Clause by Sue Butler

Rebel Without A Clause by Sue Butler book cover
* Copy courtesy of Pan Macmillan Australia *

Sue Butler is a lexicographer and some of you might remember my review of The Aitch Factor - Adventures in Australian English back in 2015. Much has changed since then. Sue Butler was made an Officer of the Order of Australia in 2018 and is better able to share her views on the English language now that she's no longer constrained by her position as Editor of the Macquarie Dictionary. The astute among you will also notice a name change from Susan to Sue.

Butler's observations are as keen as ever and early on in her new - and cleverly titled - book Rebel Without A Clause, she shares her hopes with the reader as follows:
"...however, I would hope that my swings from tolerant to outraged are measured and balanced. Otherwise I will have become that creature of strident language purity, the pedant." Page 4
Trust me, Sue Butler is in no danger of becoming a pedant, and in fact is far more tolerant than I am about many of the topics she explores.

There are a tonne of words and phrases that make me cringe and shiver, but I was surprised to read that Sue Butler is no longer bothered by the word 'agreeance'. Just typing it and seeing the red squigly line shouting 'this word is wrong' makes me clench my teeth. According to Butler, an agreement is a piece of paper whilst being in agreeance and reaching agreeance is a state of mind. Tell you what though, I'll never be in agreeance that this is a word. We should stick to agreement having two meanings, just as declaration does.

Butler quickly moves on to the shift from saying 'bored with' to 'bored of', possibly because we say we're 'tired of' something. When I hear someone saying 'bored of' it really rankles and I have no idea why. Funny isn't it?

Rebel Without A Clause is full of tidbits like this you'll want to discuss with others, so I don't recommend reading this when everyone else is asleep. Do you pronounce bruschetta as bru-shet-ta or brus-ket-ta? See what I mean?

On page 138, I learned that the plural of cactus isn't cacti. Butler makes the point that the word cactus was borrowed by the Romans from Greek, so the plural should really be cactapodes. But I can't see anyone changing, can you?

I loved the chapter on Inventing New Words, (like babelicious) and a new word I was thrilled to learn about was xenofiction.
"Xenofiction adds the prefix xeno- meaning 'foreign' to fiction to create a new genre of science fiction in which the alien or mystical beast is telling the story from their point of view." Page 145
How cool is that? I must keep an eye out for this word in the wild.

My only problem with this perfectly titled, beautiful little hardback book about words and language is the poor quality of the paper. The quality of the pages the text is printed on seems completely out of sync with the striking cover design, and there's quite a lot of bleed through of ink from page to page from the chapter headings. I did find myself wondering whether this was the result of COVID interrupting the usual book production process, but nevertheless, it was a slight let down. I can certainly imagine this will be a wonderful little stocking stuffer this Christmas.

Rebel Without A Clause by Sue Butler is full of surprising, amusing, entertaining and informative moments and I thoroughly enjoyed the short, sharp chapters on a variety of topics, words, phrases and linguistic tangles.

Enjoy it for yourself and check out a FREE EXCERPT.

Highly Recommended.

You can seize this book at Booktopia.



My Rating:


21 October 2020

Review: Splitting - The Inside Story on Headaches by Amanda Ellison

Splitting - The Inside Story on Headaches by Amanda Ellison book cover
* Copy courtesy of Bloomsbury *

Did you know that stripes and horizontal lines like those in venetian blinds can trigger migraines? Me neither, it's fascinating isn't it?

I started listening to the audiobook of Splitting - The Inside Story on Headaches by Amanda Ellison and I wasn't expecting it to be funny, but found myself chuckling quite often. 

Here's an example from Chapter 2 - Brain Freeze:
"This pain lasts as long as it takes to regulate your blood flow. Usually by 10 (or maybe more) seconds after you have introduced the offending cold intruder to your buccal cavity (otherwise known as your mouth; 'shut your buccal cavity' stops any argument, period. You're welcome!) you will feel normal again." Page 20
And another from Chapter 3 - Sinus, Sensation and Snot:
"If you get to watch the television while you are sitting in the dentist's chair, I can predict two things. The first is that you are not with my dentist, and the second is that you will need less numbing agent because your brain doesn't feel pain as much because your attention is diverted." Page 48
However, once the author started to get down into the nitty gritty of her subject, I had to pick up the paperback and apply myself.

Amanda Ellison goes into quite some detail here about what is happening in the body during a headache and a migraine, and how they're different. She also goes into the various types of headaches and migraines, theories which have been proposed in the past and the current medical science in this field.

However, I'm not ashamed to admit that much of the science and biology was a little over my head. Try as I might, I was unable to achieve more than a general understanding of what she was explaining.

I'd say Splitting by Amanda Ellison is for readers familiar with medicine, biology or science or who have a serious interest in the body and human health. I was interested in the subject matter but outgunned here by the science; through no fault of the author I might add.

My key takeaways from reading Splitting are that headaches and migraines are far more complex than I had imagined. Sure, there are de-hydration headaches as well as stress or anxiety induced headaches and migraines. Other times they can be the result of hormones or genetics and can even come down to whether or not you have an hyperactive visual cortex.

Amanda Ellison has been incredibly thorough and Splitting - The Inside Story on Headaches is a deep dive into the subject of headaches and migraines. I believe it would be of most interest to sufferers for whom these events are debilitating. Some chapters may not be applicable, but it could give the reader seeking relief a new avenue to consider in consultation with their Doctor.

You can seize this book at Booktopia.



My Rating:


19 October 2020

Winner of How To Break Up With Friends by Dr Hannah Korrel announced

It seems friendship is a popular topic, so thanks to all those who entered my giveaway to win a copy of How To Break Up With Friends by Dr Hannah Korrel. One entrant believed this book was 'a guide to being the worst friend possible' which would be a terrible book by the way. This was the wrong answer, because clearly this is a 'guide to ditching crappy companions'.

I drew the winner of the giveaway today and congratulations to:
How To Break Up With Friends by Dr Hannah Korrel book cover

Meg

Congratulations Meg! You've won this giveaway valued at $24.99 AUD thanks to Ventura Press. You'll receive an email from me shortly informing you of your win, and will have 7 days to provide a postal address.

You'll receive your prize direct from the publisher and I hope it gives you the courage to let crappy friendships go and the motivation to strengthen and nurture existing friendships that make you feel great. Good luck.

Carpe Librum


16 October 2020

Giveaway and Review: Trust by Chris Hammer

* Copy courtesy of Allen & Unwin *

Trust by Chris Hammer is the third book in the Martin Scarsden series and I'm proud to be part of the online blog tour for the release. I'll be posting a sample chapter on 31 October, but today I'm reviewing Trust and launching a giveaway for AUS & NZ entrants. Details below.

Review

We catch up with Martin Scarsden some time after the events of Silver and life is great for him and his girlfriend Mandy and her son Liam.

Events kick off quickly with Mandy's unexpected kidnapping and the action takes the characters to Sydney. Martin is focussed on finding Mandy whilst also being drawn into the apparent murder of his friend and journalism mentor.

What transpires from there is a plot chock full of fraud, corruption, power and blackmail involving a secret society of Sydney's elite: comprising lawyers, politicians and highly successful businesspeople. Martin and Mandy find themselves in the thick of it as they try to get to the truth of several whodunnits.

I was pleased to see evidence of Martin's character growth from Silver and Scrublands and a relaxation of his 'get the story at any cost' attitude from earlier in the series.
"Trust, Martin, the most valuable commodity any journalist can possess." Page 265
The setting in Sydney was instantly recognisable with a handful of memorable side characters and I could easily visualise this on the big screen as a journalistic / police procedural.

This crime thriller feels very up to date with several references to the bushfires, coronavirus, quarantine and Australia's economic recovery which was refreshing.

I thoroughly enjoyed Trust and crime fans will love this homegrown Aussie crime mystery.

My Rating:


Blurb

Trust by Chris Hammer book cover
Published 13 October 2020
Allen & Unwin
RRP $32.99 AUD
She breathes deeply, trying to quell the rising sense of panic. A detective came to her home, drugged her and kidnapped her. She tries to make sense of it, to imagine alternatives, but only one conclusion is possible: it's the past, come to claim her.


Martin Scarsden's new life seems perfect, right up until the moment it's shattered by a voicemail: a single scream, abruptly cut off, from his partner Mandalay Blonde.

Racing home, he finds an unconscious man sprawled on the floor and Mandy gone. Someone has abducted her. But who, and why?

So starts a twisting tale of intrigue and danger, as Martin probes the past of the woman he loves, a woman who has buried her former life so deep she has never mentioned it.

And for the first time, Mandy finds denial impossible, now the body of a mystery man has been discovered, a man whose name she doesn't know, a man she was engaged to marry when he died. It's time to face her demons once and for all; it's time she learned how to trust.

Set in a Sydney riven with corruption and nepotism, privilege and power, Trust is the third riveting novel from award-winning and internationally acclaimed writer Chris Hammer.

You can seize this book at Booktopia.

Giveaway


This giveaway has now closed and the winner was announced here.

14 October 2020

Bloggernomicon - Knowledge Lost

It's October and Melbourne is still in lockdown, however I'm pleased to welcome Michael Kitto to the blog in the continuation of my Bloggernomicon series of interviews. Michael's blog is called Knowledge Lost.

Welcome to Carpe Librum Michael. When did you start reviewing books and can you tell me the story behind your blog name? 
Michael Kitto - Knowledge Lost
Michael Kitto - Knowledge Lost
I was never a reader when I was younger, it was in 2009 when everything changed. It was all thanks to a Triple J radio show called The Culture Club with Craig Schuftan, which got me interested in learning more about art, literature, and philosophy. I had to learn more, so I started reading his book Hey! Nietzsche! Leave Them Kids Alone!, which lead me to read Frankenstein and that was when I became addicted to reading and needed a place to post my thoughts.

The title Knowledge Lost was adapted from the epic poem Paradise Lost by John Milton. I decided on this title to symbolise the fact that there is so much to learn and so much knowledge out there that previously was lost to me.

What’s your most popular blog post? What can you tell me about it?
Surprisingly, the post that has the most hits on my blog is an art post called Nec Spe, Nec Metu (Without Hope, Without Fear), which I posted in 2010. Which is about Caravaggio and his motto in life. I am not sure why that gets so much attention but maybe people are just looking up Caravaggio or Nec Spe, Nec Metu trying to learn more about him and his life philosophy. 

Are there any reviewing clichés you’d like to see less of?
I am a cranky old man but review however you want to review. We all have our own opinions, I just hate when a book review is just a synopsis, I don’t want to read about the plot, I want to read what people got out of the book. Tell me what resonated with you about a book, and the themes that keep running through your brain. I am a fan of literary theories, so if you talk about psychoanalysis, feminism, queer theory, post-colonialism, and so on, you have my attention. I once did a post on Twilight where I briefly explained the book using different theories.

Do you have any advice for reviewers interested in starting a book blog?
Just start, I think book blogging is great and I love the visual representation of how much I have changed as a reviewer and a reader. My older posts are not great, but I think it is a great way to see the growth you have made over time. Also, when you get older, you might forget what you thought of books you read in the past, so it is useful to have a reminder.

Have you ever been pressured to give a positive review or had an author question a review of yours?
I will not go into what happened, but I was once told by an author that I read their book wrong because I didn’t like it. This novel used real life people as characters and I never agreed with the way they were portrayed. But it is a good reminder that we are reviewing books to record our own feelings about a book, we are not here to please an author.

When asked by an author, publicist or publisher to review a book, name something that can tip the balance in their favour?
That is easy. When I first started my reading journey, I was a literary explorer, trying all different genres and styles. I have found that I love books from around the world, so if you tell me a book has been translated, I am instantly more interested in reading it. Who knows, my taste might change in the future but for now I want to read books from around the world.

Do you use any of the reading statistics spreadsheets out there? Do you make any specific reading goals around trackable criteria?
I have a reading spreadsheet, which I started in 2009 and I love keeping track of my journey. I can tell you that in my reading journey so far, I have read 1225 books. I track all sorts of stats, like I know that 65% of my reading has been by male authors (even if 75% have been by women this year) and that 35% have been books in translations (75% this year). For a while I didn’t care about those statistics, but it is so easy to see imbalance.

If you could improve one thing on your blog, what would it be?
I would improve myself, but that is the beauty of the blog. I can see just how much I have evolved as both reader and writer. I hope to continue to grow and that my blog continues to reflect that journey.

Name something you’d like to achieve in the world of reviewing and blogging about books
I would love to be known as a literary critic, I love reading and want to continue to grow in my skills of criticism, and I hope that pays off. I am passionate about literature and my literary taste is different to many others, I want to continue promoting the joys of reading books from all around the world.

Do you have any blogging goals for 2020?
My main goal was to get back into the habit of writing regularly. I think I lost my passion and I regret not having reviews on so many books that I have read in the past. Recently I posted about the importance of book reviews, for me, having a recorded review of books I have read in the past really helps refresh my memory of my thoughts. 

Thanks so much for participating in Bloggernomicon Michael. I love the sound of your reading spreadsheet and thanks for being such a champion for translated fiction.


12 October 2020

Guest Review: Here is the Beehive by Sarah Crossan

Here is the Beehive by Sarah Crossan book cover
* Copy courtesy of Bloomsbury Circus *

Today I'm proud to introduce another guest review from Neil Béchervaise. Today he's reviewing Here is the Beehive by Sarah Crossan.

Blurb

Ana and Connor have been having an affair for three years. In hotel rooms and coffee shops, swiftly deleted texts and briefly snatched weekends, they have built a world with none but the two of them in it.

But then the unimaginable happens, and Ana finds herself alone, trapped inside her secret.

How can we lose someone the world never knew was ours? How do we grieve for something no one else can ever find out? In her desperate bid for answers, Ana seeks out the shadowy figure who has always stood just beyond her reach – Connor's wife Rebecca.

Peeling away the layers of two overlapping marriages, Here is the Beehive is a devastating excavation of risk, obsession and loss.

Neil's Review

Deviation from the standard prose form of the novel is going to ring alarm bells for many readers. Unsurprisingly then, the open form poetic structure, the free verse of Sarah Crossan’s Here is the Beehive creates an initial sense of uncertainty. Her paean to unrequited love, the bitterness of her narrative and her apparent lack of concern with the sketchiness of her characters do little to alleviate this concern. However, expectations based on literary form, character development and pre-determined emotional responses can be misleading. Not all couples live happily ever after.

Crossan’s exploration of the illicit love affair between estate lawyer, Ana, and her married client, Connor, is clearly prejudiced. Connor’s refusal to abandon his family, his accidental death and Ana’s infatuation with the grieving yet apparently unsuspecting widow, Rebecca, suggest an almost psychotic response to her own loss. Yet the responses are all too real. Her lover’s brother is aware of the relationship while her own teacher/husband, Paul, and her friends and colleagues are not. Unsurprisingly, Ana’s three year love affair is leading inevitably towards her own marriage break-up. So what?

Despite his unwillingness to commit, Connor insists to Ana that he loves her. His reluctance to admit this to Rebecca and leave the family behind, however, render Ana increasingly isolated. Returning from one of her many illicit ‘trips away’, she admits to a fellow traveller that she is lonely; her growing despair summarised in her observation, “I had taken many photos to prove I had been somewhere”.

Only too commonly, Christmas brings the story to its unhappy climax. The stoically grieving Rebecca, seeing Ana near Connor’s gravesite can probably put two and two together while the long-suffering Paul finally leaves off his school marking to listen to what may be Ana’s confession.

Sarah Crossan’s tale is too mundane to stand as a prose novel but, with the removal of the inevitable descriptive padding and redundant minor character development, it becomes one woman’s compelling emotional romantic roller coaster.

Ana’s life is not simple, it does not flow smoothly. Her love story is neither linear nor evenly appealing. No-one is to blame more than any other for the predicament she finds herself in. Being torn apart through her own determination, it is her children’s beehive song, probably the most openly loving sequence in the novel, that counts her life down towards that sense of abandonment which festers in the heart of too many marriages.

It takes a little while to recognise that this is not a romantic novel. Instead, it is one woman’s narration of a love story gone wrong. Accepting that realisation, the expectations implicit in reading the typical romantic novel fly away. The prejudices surrounding Ana’s life dissolve and the sparsity, even the unpredictability, of the free form poetry that give this story its power and its appeal become the reason it is so compelling.

You can seize this book at Booktopia.


Neil's Rating:


09 October 2020

Giveaway and Review: How To Break Up With Friends by Dr Hannah Korrel

How To Break Up With Friends by Hannah Korrel book cover
Published October 2020
RRP $24.99AUD
* Copy courtesy of Ventura Press *

Today I'm giving away a copy of How To Break Up With Friends - From Friendsh*t to Friendsplit by Australian Neuropsychologist Dr Hannah Korrel. This is a guide to ditching crappy companions and I found a few hard truths in this little gem. Dr Korrel does a great job of explaining what a good friend is, how to set boundaries, highlighting misnomers about friendship and telling us how to let go of toxic friendships.

The most powerful lesson for me were the four elements of friendship: trust, support, affection and respect. I was able to assess previous friendships and immediately identify which of these elements were lacking and how it ultimately resulted in a drifting away or ending of the friendship.

In pointing out the reasons we hang on to friends who don't treat us well, I'd have liked Korrel to include fear of losing a shared history and the fact many of us maintain friendships for sentimental reasons.

I have to say I didn't enjoy the endearments throughout the text (friend, dear reader, bud, baby etc), but I expect that's my age talking.

The exercises and reflections were very useful although I found myself writing additional break up messages. The suggested break up messages seemed a little too 'safe' for my liking. I wanted to see suggestions like: '...you continue to disrespect me and I just don't think our friendship is working out.' Besides, after going to the trouble to lay down boundaries, why not explain precisely why you've decided to end the friendship? Making excuses that you don't have the time or effort to invest in the friendship sounds like a cop out to me. It might be handy in some situations but surely some friends deserve to hear the truth.

The approach: "I can't discuss this right now, I need to deal with my mental health," is completely foreign to me and again, I suspect I'm showing my age as a Generation X reader.

Readers who have experienced friendship or relationship problems in the past may gain additional insight into where it all went wrong by reading How To Break Up With Friends by Dr Hannah Korrel. 

For those who have never confronted a friend over their poor behaviour and have felt powerless to stop friends treating them badly, this is a must read! It will empower you to ditch your toxic friend and re-invest that time somewhere else.

Enter below for your chance to win a copy.

My Rating:


BLURB

We all have that one friend.

The one who expects the world, but never remembers your birthday. The one who constantly ditches your dinner plans when you’re already halfway to the restaurant. The one who leaves you feeling exhausted, used and completely emotionally battered.

Why do we let these people into our lives? When is their friendship actually friend-shit? How do we dump these crappy companions?

This is the no-bullshit, essential guide for anyone devoting their precious time and energy into maintaining friendships with toxic friends. Using activities, truth bombs, and real-life examples, neuropscyhologist Dr Hannah Korrel will help you to identify the bad friends in your life, understand what true friendship should look like, learn how to attract the best people, and become the best friend you can be yourself.

GIVEAWAY

This giveaway has now ended.


You can seize this book at Booktopia.