Andahazi, Federico (The Merciful Women)
Cantero, Edgar (The Supernatural Enhancements)
Devenish, Luke (The Secret Heiress)
Egan, Jennifer (The Keep)
Elmas, Stephanie (The Room Beyond)
Harris, Jane (The Observations)
Hill, Susan (The Small Hand)
Jackson, Shirley (We Have Always Lived in the Castle)
James, Henry (The Turn of the Screw)
Maurier, Daphne Du (Rebecca) (to-read)
McGill, Bernie (The Butterfly Cabinet)
Morton, Kate (The Distant Hours)
Morton, Kate (The Shifting Fog)
Moss, Tara (The Blood Countess: Pandora English Novel)
Perry, Sarah (Melmoth)
Purcell, Laura (The Silent Companions)
Purcell, Laura (The Corset)
Rayne, Sarah (What Lies Beneath)
Rice, Anne (Angel Time - The Songs of the Seraphim)
Rice, Anne (Interview With The Vampire)
Rice, Anne (Memnoch the Devil)
Rice, Anne (The Vampire Lestat)
Rice, Anne (Violin)
Rose, M.J. (Seduction: A Novel of Suspense)
Setterfield, Diane (The Thirteenth Tale)
Setterfield, Diane (Once Upon a River)
Stevens, Amanda (The Restorer)
Stoker, Bram (Dracula)
* Last updated May 2018
What makes a novel Gothic?
1. Setting in a castle. The action takes place in and around an old castle, sometimes seemingly abandoned, sometimes occupied. The castle often contains secret passages, trap doors, secret rooms, dark or hidden staircases, and possibly ruined sections. The castle may be near or connected to caves, which lend their own haunting flavor with their branchings, claustrophobia, and mystery. (Translated into modern filmmaking, the setting might be in an old house or mansion--or even a new house--where unusual camera angles, sustained close ups during movement, and darkness or shadows create the same sense of claustrophobia and entrapment.)
2. An atmosphere of mystery and suspense. The work is pervaded by a threatening feeling, a fear enhanced by the unknown. Often the plot itself is built around a mystery, such as unknown parentage, a disappearance, or some other inexplicable event. Elements 3, 4, and 5 below contribute to this atmosphere. (Again, in modern filmmaking, the inexplicable events are often murders.)
3. An ancient prophecy is connected with the castle or its inhabitants (either former or present). The prophecy is usually obscure, partial, or confusing. "What could it mean?" In more watered down modern examples, this may amount to merely a legend: "It's said that the ghost of old man Krebs still wanders these halls."
4. Omens, portents, visions. A character may have a disturbing dream vision, or some phenomenon may be seen as a portent of coming events. For example, if the statue of the lord of the manor falls over, it may portend his death. In modern fiction, a character might see something (a shadowy figure stabbing another shadowy figure) and think that it was a dream. This might be thought of as an "imitation vision."
5. Supernatural or otherwise inexplicable events. Dramatic, amazing events occur, such as ghosts or giants walking, or inanimate objects (such as a suit of armor or painting) coming to life. In some works, the events are ultimately given a natural explanation, while in others the events are truly supernatural.
6. High, even overwrought emotion. The narration may be highly sentimental, and the characters are often overcome by anger, sorrow, surprise, and especially, terror. Characters suffer from raw nerves and a feeling of impending doom. Crying and emotional speeches are frequent. Breathlessness and panic are common. In the filmed gothic, screaming is common.
7. Women in distress. As an appeal to the pathos and sympathy of the reader, the female characters often face events that leave them fainting, terrified, screaming, and/or sobbing. A lonely, pensive, and oppressed heroine is often the central figure of the novel, so her sufferings are even more pronounced and the focus of attention. The women suffer all the more because they are often abandoned, left alone (either on purpose or by accident), and have no protector at times.
8. Women threatened by a powerful, impulsive, tyrannical male. One or more male characters has the power, as king, lord of the manor, father, or guardian, to demand that one or more of the female characters do something intolerable. The woman may be commanded to marry someone she does not love (it may even be the powerful male himself), or commit a crime.
9. The metonymy of gloom and horror. Metonymy is a subtype of metaphor, in which something (like rain) is used to stand for something else (like sorrow). For example, the film industry likes to use metonymy as a quick shorthand, so we often notice that it is raining in funeral scenes. Note that the following metonymies for "doom and gloom" all suggest some element of mystery, danger, or the supernatural.
This list of gothic elements has come directly from the Virtual Salt website