The Utility Belt Series Winners Announced

Thanks to everyone who entered my prize pack giveaway for The Utility Belt series by Sharon Giltrow. The two main characters in the series are Samara Rubin and Toby King, but there were a few incorrect answers and subsequent disqualifications so perhaps I made the question too difficult. I'll keep that in mind for next time.

The giveaway closed at midnight last night and the winners were drawn today. The two lucky winners are (drum roll):

Giovanna & Sharah

Congratulations! You've each won a prize pack valued at $35AUD containing a signed copy of Samara Rubin and The Utility Belt (Book 1), signed copy of Toby King and The Utility Belt (Book 2) and bookmarks thanks to the author, Sharon Giltrow.

You'll each receive an email from me shortly so that you can provide your postal address so start thinking about any inscriptions you might want inside your books and congratulations on your win. I hope your junior readers enjoy the series.

Carpe Librum!

Middle Grade Giveaway: The Utility Belt Series by Sharon Giltrow

Intro

I promised another giveaway and this time I've teamed up with Romi from Books On Tour PR & Marketing to bring you not one but two middle grade prize packs! Enter below for your chance to win.

The Utility Belt series is written by Sharon Giltrow and illustrated by Thu Vu and it's a speculative junior fiction series with magical tools, cute sidekicks and a 'super' family.

Recommended for readers aged 6-12, each prize pack includes:

• Signed copy of Samara Rubin and The Utility Belt (Book 1)
• Signed copy of Toby King and The Utility Belt (Book 2)
• Bookmarks

Giveaway

This Carpe Librum giveaway has now closed. Thanks to the author Sharon Giltrow for providing these prize packs valued at $35 AUD each. The giveaway was open internationally and entries closed midnight AEST on Sunday 12 July 2026.

Carpe Librum!

Review: Rite of Spring by Kris Kneen

* Copy courtesy of Transit Lounge *

Miranda and Richard answer an advertisement in a nature magazine and agree to stay on an island off the coast of Tasmania for a period of six months. They'll be taking over from the previous caretakers but otherwise they'll be on their own in the remote wilderness the entire time. Taking all of their own supplies, the couple will be responsible for looking after the automated lighthouse and recording regular weather observations.

Miranda is recovering from a near death experience and the couple is reeling from Richard's infidelity. The environment is hostile, with winds so fierce that animals blow off the cliffs and down onto the rocks below. Yet somehow Miranda and Richard believe the seclusion, shared experience and time together will offer them the chance to heal their marriage. Yeah right! Obviously things were going to go wrong but I could never have guessed how.

Miranda is a Marine Biologist with a love of the ocean and spreadsheets.

"Keeping spreadsheets was not enough to distract her. She had revelled in the sorting and labelling of their produce, bought sticky labels for the bags, noting the date of drying, the variety of apple or pear or orange. She listed the total weight on each bag. When she had sealed one she lined it up next to all the others. The various colours and shapes were pleasing. This task appealed to something in her nature, perhaps the same thing that had drawn her to a career in marine biology." Page 21

The beginning of the book was easily my favourite part. Their arrival at the island demonstrates just how remote and cut off from the rest of the world they are, and the list of maintenance items was enormous. The weather takes a toll on every fixture and fitting and they're both energised by the physical challenges ahead. I especially enjoyed Miranda's planning for their trip.

"Her skills were easily transferrable to the planning for the island. She had measured out each meal - breakfast, lunch and snacks - planning them six months in advance, adding a few extra weeks of food in case the weather turned and stranded them on the island for longer than expected." Page 15

Getting set up and unpacking their supplies as the wind was howling outside my own bedroom window made me wish I could watch all of this unfolding on the big screen. Their optimism burst from the page and I was quick to share it. However, it soon becomes apparent Miranda is going through a lot more than first realised; she's physically recovering from a nasty accident, going through menopause and was already a person in flux.

It would be a spoiler to mention how things shift, but I can tell you there's a lot of sex in the book. If you're uncomfortable reading graphic sex scenes - and I'm not - then this is not for you. Having said that, the narrative goes further than just lots of sex and I think I'd call it dark erotica bordering on erotic horror.

There's quite a lot of poetry included in the book but much of it felt personal to the author and I had trouble connecting it to the narrative. There's also a heavy emphasis on Miranda feeling a lack of belonging her entire life and being different from everyone else that I couldn't relate to. It made me wonder if perhaps this was more of the author bleeding through into the character on the page.

And what's with the cover? I love the cover design, it's suggestive, erotic and intriguing but having read the book I can't see the relevance whatsoever. While the conditions are frigid, Miranda does take her clothes off on quite a few occasions however this isn't her body type. The reader is frequently reminded that Miranda is overweight:

"Miranda's body held its own in his company. She was corporeal. Short but fat, sturdy. She weighed more than he did, even though he was easily a head and shoulders taller than her." Page 175

After that one description - and there's plenty more - it's clear the woman on the cover is not Miranda. I also have no idea what the significance of the blackberries and blackberry juice smeared on her abdomen is all about. Perhaps it's suggestive or evocative of blood and something to do with menstruation but the torso of the woman doesn't look menopausal. It's a great cover, I just didn't understand the relevance.

The author mentioned in a recent interview that the idea for the book came after their friend sent them an ad just like this, thinking Kris might consider it a writing retreat of sorts. The position didn't appeal but they took the idea and ran with it and I hope the friend passes on more ads in the future.

I originally wondered if the title of The Rite of Spring was a reference to the piece of music by Stravinsky, but in the same interview I referenced earlier, I learned there are going to be four books with themes of queerness, gender, science, nature and the supernatural; one for each season.

The ending of the book reaches an exciting climax (pun intended) although I was left with unanswered questions in the denouement about the supernatural element. The Rite of Spring by Kris Kneen is dark erotic Australian fiction and will appeal to literary readers open to self discovery, sex and the supernatural.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Devil Mountain by Inessa Jackson

* Copy courtesy of Simon & Schuster *

Devil Mountain is a debut novel by Inessa Jackson and the author has certainly made an arresting entrance into the somewhat crowded scene of Australian crime fiction.

Based in Sydney, Detective Sergeant Anastasia Brown is reeling from an unjust workplace suspension when she's sent to Stony Creek - a small town in NSW - to investigate the murder of a local GP. Pairing up with local Detective Harry Frost, Ana gets a quick run down of the unusual crime scene and seeks to find out more about the victim and why someone would want to kill him.

This police procedural moves quickly and several motives are swiftly identified. I loved this phrase summing up the motives for murder and haven't heard or seen it before:

"It met the criteria for one of the most common motivations for murder: love, lust, loot and loathing." Page 38

The mountain of the title overlooks Stony Creek and forms part of the Stony Creek State Forest where lights have been seen and the vengeful spirit of a wronged woman is said to haunt the mountain for eternity. Yikes!

DS Ana Brown is an easy protagonist to cheer for as she tackles misogyny in the workplace, peels back layers of lies in the small town to reveal adultery and addiction, investigates a Wiccan coven and plunges headlong into the forest despite the reported hauntings.

Detective Harry Frost was a highlight and my favourite character and I'd love to see Ana and Harry working together again in the future if this becomes a series.

Devil Mountain by Inessa Jackson is an enjoyable Aussie noir crime novel although I wish the supernatural element was more prominent.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Postscript - Life, Love and Loss in Australian Letters

* Copy courtesy of National Library of Australia Publishing *

Intro

Postscript - Life, Love and Loss in Australian Letters contains a small collection of letters from the archives held by the National Library of Australia and is just a tiny sample of the millions of letters in their extensive collection.

A variety of letters have been chosen covering a breadth of topics and were given to contemporary writers who were asked to use them as an inspiration to respond. They each did so by writing their own letter to a recipient of their choice and these were then grouped together in chapters.

In a tribute to the book I've decided to write my review in the form of a letter.

Letter to NLA

Dear National Library of Australia,

I haven't visited any of your four sites, yet I greatly admire the important work you do to preserve Australia's culture and history. I've long been a lover of letters and snail mail since I wrote in to Dolly Magazine as a teenager asking for a pen pal. I enjoyed reading your latest publication Postscript - Life, Love and Loss in Australian Letters and wanted to share my thoughts.

My favourite letter in this collection was the one from 17 year old student John Ian Wing to the Chairman of the Games Committee in charge of the 1956 Melbourne Summer Olympics. In his letter, John praises the friendliness of Melbourne people and suggests a march during the closing ceremony that is completely different to the one that took place during the opening ceremony. He proposes the athletes march as one nation, walking freely and waving to the public. In that way, John observes that 'war, politics and nationality will be all forgotten' and the whole world could be made as one nation creating 'a great occasion for everybody and no one would forget it'.

The Chairman loved the idea and John's suggestion was immediately adopted, creating a new Olympic tradition that we continue to enjoy today. I especially loved John's endearing diagram of how it could work.

Shelley Ware is an author, media presenter, educator and Mum and she was paired with this letter, choosing to write a letter to her son. In it she draws on John's vision for unity in a divided time to her son's moral compass and search for truth beyond the headlines expressed in his artwork. This was a terrific pairing and I really enjoyed it.

Another stand out was the letter from Sir John Monash in 1906 to his 13 year old daughter, narrating almost every aspect of her upcoming journey by train and then boat from Spencer Street Station (now Southern Cross Station) to the property of Canally on the Murray River.

Today you might consider his approach evidence of overparenting, but it's clear he loves her dearly and I couldn't help smiling at his advice for when she boards the boat on the Murray River:

"On settling down on the boat, I should advise you to to go bed at once, because you will, no doubt, be very tired, and the scenery is not very interesting for the first few miles. So you had better go to bed comfortably before the boat starts and do not stop up yarning, but get to sleep and tell the Stewardess to wake you quite early - say 7 a.m. - so that you can enjoy the beautiful river scenery for an hour or two before reaching Windomal." Page 26

His letter runs for pages and it made me wonder how many times he'd taken that trip but I didn't see the relevance of the two letters that followed by the late Judith Wright. While detailing the birth of her child Meredith and her subsequent recovery in hospital, I wasn't entirely sure how that related to a parent separated from their child or preparing a child for a life changing journey. However the letter from Maggie Mackellar to her adult daughter certainly embraced the spirit of the letter from Monash in her well expressed anxiety around her daughter travelling far away and the memories of her childhood the absence created.

It must have been difficult for your staff to create a longlist of letters for this project from your extensive archives. Where to start? How long did it take? I've heard from reliable sources that your staff chose letters of interest based on the identity of the sender or the recipient, the story or the writing itself. Then a generous list of potential respondents was collated, drawn from those with an existing relationship to the library, visiting writers or those who might have an interesting angle on a response.

I was pleased to see one of my favourite Australian authors included, Kate Forsyth and enjoyed her response to Jane Austen's letter. I wonder, was she able to view the original in person or online? I bet she would have been thrilled to see it.

I had fun devising my own shortlist of modern authors I'd love to see in a letter writing project like this and the fact that Postscript comes in at <130 pages, surely means there was room for more? Perhaps some of the invitees were overwhelmed by the magnitude of the brief and suffered a touch of analysis paralysis. I did find myself wishing for contributions from more well known Australian authors, as you know, we certainly have a plethora of Australian talent in that regard. Or, I fancy you might be considering a second edition, although you'll have to come up with a better title than Post Postscript; I don't think that'll catch on.

Let me know if you want to see my shortlist of modern respondents, but in the meantime, congrats on an engaging collection.

Yours Affectionately,

Carpe Librum!

My Rating:

★ ★ ★ ★ ★

Review: The Woman in the Seal Skin by Lauren Keegan

* Copy courtesy of Simon & Schuster *

Orkney is made up of approximately 70 islands and is located off the north coast of Scotland. It's an isolated part of the world and with an average yearly temperature of 8 degrees celsius I can only imagine how inhospitable it must have been in the 17th century. The Woman in the Seal Skin by Lauren Keegan is set in Orkney in 1695 and is a dual narrative told by our main character Malie and her friend Henrye.

Malie's father is a fisherman and after her mother slipped into the sea and was never seen again, he raised Malie and her brothers alone. Brought up listening to tales of selkies, Malie has always been told her mother was a shape-shifting woman who shed her seal skin to seduce her father.

"Selkies slip from their seal skins and seduce lonely fishermen, but a Finnman takes the form of man and seduces lonely wives. Men, women and the sea, all at their mercy." Page 46

Living on the coast, Malie has an affinity with the sea and now that she's married and expecting her first child, she finds it difficult to resist the pull of the water. With little to no female agency in a male dominated family, Malie is also in an oppressive marriage with few real friends to confide in or lean on.

"My elder brothers circle us like a shiver of sharks." Page 295

The weather is harsh, the living conditions are rough and Malie's life feels stifled and unendurable at times. In fact the harsh environment and desperate conditions reminded me of The Mercies by Kiran Millwood Hargrave, set in Norway in 1617.

I read this atmospheric book while on a cruise and being on the ocean certainly enhanced my reading experience. Admittedly, the temperature was warm and humid and I wasn't suffering any of the deprivations Malie was facing on a daily basis, but the author was still able to make me feel cold, hungry and fearful just the same.

"While there was once only fear bubbling beneath my skin, there is something else rising to the surface. Something fierce and uncontrollable. Something wild. Something that simmered in my mother's body too. I believe it's rage." Page 150

The Woman in the Seal Skin by Australian author Lauren Keegan is an historical fiction novel set in Scotland about nature, folklore, motherhood, loss, resilience and domestic violence and will appeal to fans of Hannah Kent and Kiran Millwood Hargrave.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: A Far-Flung Life by M.L Stedman

* Copy courtesy of Penguin Random House *

A Far-Flung Life by M.L Stedman is going to be in My Top 5 Books of 2026 list, without a doubt. I finished it last month and I still have a long reading year ahead of me but this Australian historical fiction novel blew me away.

Stedman begins this family saga with the history of the MacBride family who took up country in Western Australia (WA) in the 1800s and established Meredith Downs; an outback sheep station. We join the current MacBride family in 1958 and the author provides an excellent overview of the brutal and unforgiving landscape, describing the fierce nature of the heat, the sun, the wind and the rain and their power to both nurture and destroy.

"Everything that can do you good can also do you harm here - that's just the way of it." Page 7*

The MacBrides have worked the land for generations and family is everything, so when an unexpected tragedy takes place - mentioned in the blurb - the trajectory of their lives takes a dramatic turn. A Far-Flung Life is a generational family saga about life, love, purpose and family that also carries more than its fair share of secrets, heartbreak and loss.

Somehow the beauty of the landscape, the ever present demands of Meredith Downs and the resilience of the characters prevent the narrative from becoming too bleak or dispiriting. By contrast, I felt hopeful, optimistic and energised by the steadfast and inspiring characters doing their best to move forward.

As a kid, my family lived in outback New South Wales for 2 years and we had friends who owned vast sheep stations so I read about the diaries and ledgers of Meredith Downs with great interest.

"There are the ledgers; the wool returns; the vermin records; the Field Book of Meteorological Observations for the Bureau of Meteorology in Melbourne; the cricket score books; and the little greasy shearing tally books stained with lanolin from pulling them in and out of a shirt pocket as you count the wool clip run by run, shed by shed, day by day." Page 49

Diaries are kept of every day events including sheep bought or sold, new motor vehicles, paddock rotations, staff changes and more to enable the station to provide information to the tax man, Lands Department or Undersecretary for Lands in the case of drought relief.

In addition to being character-driven, the novel seems to be a deep reflection on the inevitable passage of time and its impact on the landscape and the people who inhabit it.

"On any old outback property, you can see them, the skeletons of dreams. Houses long abandoned, windmills rusting, fence posts splintered, tank stands collapsed: every one of them was once a hopeful beginning." Page 64

The ready understanding that many generations have been before us and we will soon join them in history is something I love about Ken Follett's novels. He also writes about the passage of time and the evolution of families from generation to generation and it was brilliant to read such an accomplished Australian point of view of our colonial history.

"Every wreck, every ruin is the vestige of a dream, lasting long after the body of its dreamer has been received back into the earth with love or remorse or indifference." Page 64-65

A Far-Flung Life is being promoted by the publisher as 'the biggest Australian novel of the year' and I wholeheartedly agree. I was moved by the characters and their individual plight, and felt a genuine connection to Meredith Downs despite being a proud city dweller and reading this at sea while on a cruise.

In 2012, I read and reviewed The Light Between Oceans by M.L. Stedman and gave it a glowing 5 star review. In an interview with Good Reading recently, I was impressed to read about the detailed level of research Stedman has been conducting since then in order to write A Far-Flung Life and it's definitely been worth the wait. Stedman now has two stellar Australian novels under her belt and I'm sure this is going to be another huge bestseller.

Highly recommended and you can read an EXTRACT here.

* I read an ARC so the page numbers quoted may vary in the final copy.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: The Cross Thieves by Alan Fyfe

* Copy courtesy of Transit Lounge *

The Cross Thieves by Alan Fyfe is the story of two brothers living below the poverty line in a coastal town in Western Australia (WA). It's a short and punchy novel that takes place over the course of one night and I'll admit the structure took a little getting used to.

It's a third-person narrative that regularly dips into the character's internal perspective but is largely written in past tense with some past continuous tense. In addition, there are also letters back and forth from two female characters, one of whom is the mother of our two protagonists.

A narrator addresses the reader directly and offers to 'tell you the whole thing if you've got the right heart to hear it' but their identity and connection to the story or the characters as they pop in from time to time is unclear.

Here's an example where I love the first line, but the rest is confusing.

"You and I are together inside a comfortable room the height, width, and depth of a page. I can try to manipulate you into having the heart I want you to have by telling you that kind of heart is the right kind. But you get to pick what you believe and what you value. You're alone with that choice as much as I'm alone when I decide what to tell you about these skinny boys.
As much as Gark and Pell were alone with their choices about what they valued, what ending they picked to aim at, and what to do with that ridiculous cross." Page 100

Is the narrator telling me I can think and decide for myself? Don't I already do that? And isn't that true for all stories? I often found myself wondering if the story needed this narrator at all.

The inclusion of 80s pop and mysteries of philately that piqued my interest in the blurb are brief - at less than 200 pages it is a short book after all - while Joshua's fascination with the religious meaning in We Built This City by Starship reminded me a little of Patrick Bateman's obsession with music in American Psycho.

The writing also reminded me many times of Tim Winton in terms of the male protagonists living below the poverty line, struggling with their underdog status in the world and living hand to mouth. More than that though, the dialogue and setting in a coastal town in WA in addition to themes of drugs, crime and religion was definitely Wintonesque in my opinion.

Back to the book and the novel has a satisfactory conclusion but the narrator never jumps back in to finalise the story, provide perspective or guide our thoughts about any of the events.

My critique of the story over, I always read the author's Acknowledgements section and there were several issues in this one that affected my overall enjoyment of the book and I'll attempt to outline them here.

The relationship between the brothers was moving and their desperate and ongoing hunger and lack of food or adequate shelter made me feel quite uncomfortable while reading; a testament to the skill of the author. In the Acknowledgements, Fyfe tells us that The Cross Thieves started as an 'impulse to write a neo-epic about people suffering food insecurity' which made perfect sense although there was no resolution or call to action about the issue in the novel, it just 'was'.

Fyfe mentions that the Foodbank's Hunger Report noted that 15% of Australians were experiencing food insecurity in 2018 but a quick Google tells me the figure is now 20% according to the 2025 report. Giving us data that is 8 years old when recent data is more compelling was a lost opportunity.

It's a minor oversight, but the author goes on to claim these problems are easily within reach of solution and that the houseless could be provided with shelter, the hungry fed and the welfare rate increased for a fraction of the price of nuclear submarines. As a Veteran of the ADF, this certainly ruffled my patriotic feathers but acknowledge this is the view of many Australians. While I don't agree with the author's politics, I understand his desire to use this platform to spread his message. Pity there wasn't any advice or resources for those readers motivated to take action other than talk about it on social media, email politicians and take to the streets in protest.

Finally, the author also mentions the following in the Acknowledgements:

"The Cross Thieves is written in a little known (and very old) structure called ring composition. It's not very important that you know what that is, just that it's bloody hard to do." Page 199

Despite a BA in Literature, I readily admit I hadn't heard of ring composition before and even after attempting to educate myself on the basics, I wasn't able to recognise elements of this in the novel. It felt condescending for the author to state that it wasn't 'very important' for the reader to know what it is. In my opinion, it's not important at all! It wasn't relevant to the plot and surely it's enough for those readers who do recognise the achievement to do so as part of their overall appreciation of the book. It seemed to me the author was saying 'even if you have no idea what this is, you should be impressed by my writing ability.'

Perhaps if the author had set aside the difficult task of writing in ring composition and spent more time clarifying the role of the narrator I'd have enjoyed the story of Pell and Gark a lot more. They were certainly compelling characters.

All of the above led me to draw the conclusion that The Cross Thieves by Alan Fyfe is best enjoyed by frequent readers of literary fiction able to recognise the achievements of little known writing structures who also appreciate a healthy dose of politics with their fiction.

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: The Vegemite Cookbook by Vegemite

I prefer Promite to Vegemite, there, I said it! However curiosity got the better of me and I couldn't resist checking out The Vegemite Cookbook: Favourite recipes that taste like Australia by Vegemite. I was keen to discover some new and appetising recipes for this iconic Australian spread but there wasn't much to sink my teeth into.

Vegemite is made in Port Melbourne and I enjoyed seeing how the marketing has evolved over the years, both in the advertisements and the packaging. Having said that, I don't think I'll ever be able to embrace Vegemite Squeezy. In my opinion, squeeze bottles for tomato sauce, mayonnaise, honey and golden syrup were life changers but I just can't get my head around squeezing Vegemite.

Containing only 40 recipes, the book also includes interviews with staff who work for Vegemite which was a nice touch but not terribly interesting to this reader. I found it more compelling to be reminded of the fact Vegemite was given to our soldiers in WWII due to its high nutritional value and rich vitamin B content.

The book offers recipes for - you guessed it - breakfast, lunch and tea and there were the expected recipes like Vegemite on muffins or toast with eggs. My biggest takeaway was that Vegemite can be used in stews and bolognese and while I can't imagine it, I'm going to risk it and give it a go. I certainly won't be trying the Vegemite cheesecake.

What's your favourite way to eat Vegemite?

My Rating:

★ ★ ★ ★ ★

Carpe Librum!

Review: Best Australian Ghost Stories by Graham Seal

* Copy courtesy of Allen & Unwin *

As I understand it, to have a yarn in Australia is to have a conversation or a chat, to tell a yarn is to tell a story and to spin a yarn is to tell a tall tale or something that is unlikely to be true. In Best Australian Ghost Stories - Spine-chilling Tales of Hauntings, Apparitions and the Unexplained, Graham Seal continually refers to the accounts he's presenting as yarns, stories and hoaxes and in doing so diminishes the value of the stories and the likelihood of them being true and honest accounts in the view of the author.

Graham Seal is a prolific author of 14 books (including: Great Australian Places, Great Australian Mysteries, Australia's Funniest Yarns, Great Bush Stories, Great Convict Stories) and it seems to me this collection of ghost stories were likely unearthed during the comprehensive research undertaken for his other works and brought together here, despite the author not seeming to believe in ghosts.

In the Introduction, Graham Seal makes it pretty clear that he's a sceptic and doesn't believe in many of the hauntings and unexplained events he's about to inform the reader about:

"Outside works of fiction, Australian hauntings, vanishings and unexplained events happen - if they did - in a landscape marked by its rivers, waterholes and surrounding seas, its islands and its abandoned places." Page xvi

Broken down into unique categories - Bush Haunts, House Ghosts, Unsettling Places, Ghost Roads and more - there were often too many stories presented in quick succession; this pub has a ghost in it, this inn has a woman in white. The sheer number of cases cited along with the scant information available about each of them made it difficult to be spooked or reach the spine-chilling reading experience hinted at on the cover.

And then there were bizarre moments like this one. When discussing the plan by scientists to resurrect the Tasmanian Tiger using DNA technology, the author wonders how long it'll be before the same technology is applied to dead humans. Ummmm what? Humans aren't extinct so clearly he missed the point altogether. Either that, or this was an attempt at humour that sailed right over my head.

I was pleased to see the case of Minnie Brown and the unexplained poltergeist activity that took place in 1921 taken seriously but then disappointed the very next chapter when the author describes the events in a remote town in the Northern Territory in 1998 as Humpty Doo high jinks as he wonders whether it was all a hoax.

The author frequently uses negative language like shades and ghouls and phrases such as supernatural spice throughout the book which begins to build a mocking and condescending tone. The reader who picks up a book about ghost stories is more likely to have an open mind or a firm belief in the unexplained so the failure of the author to take the topic seriously struck a sour note.

I also found myself wondering why Seal chose to include stories where the ghostly activity was proven to be caused by hardcore hoaxers or prankers. What value do stories like these add to a book entitled Best Australian Ghost Stories? I didn't choose to read a book about Best Australian Hoaxes and in my opinion these accounts detracted from the theme and had no place being included.

Why the mocking tone? In the Ghost Roads chapter I could almost hear him rolling his eyes:

"While these events are disturbing enough, drivers also report their headlights illuminating ghostly figures along the road and - always dependable - the Yowie has been seen." Page 194

Ironically, this same chapter also contained one of the best stories which was entitled The Ghost of the Old Bridge and took place in Western Australia in the 1870s. What made it the most enjoyable of the collection was the long and detailed first person account from settler Thomas Scott included in the book. For the first time this allowed the reader to stick with one account and travel back 150 years to hear directly from a witness relaying a sighting seen by at least five others.

Several first hand accounts from direct sources were included and if more of these had been incorporated in favour of the hoax narrative, this book would have been a terrific read.

As it is, when I think of this book in the future, I think I'll remember it for the inspired inclusion of the poem 'The Ghost at the Second Bridge' by Henry Lawson. It's been a long time since I've read any Henry Lawson and reading the story of two men encountering the Black Lady in the middle of the night was immensely enjoyable.

As the End Notes attest, it's evident that a tonne of research has gone into the writing of this book, and that's to be acknowledged and admired. In addition, I was pleased to see Australian Ghost Stories by James Phelps mentioned in the author's Afterword as I read and enjoyed this last year.

Readers wanting to know if their local legend is included are likely to find it briefly mentioned in Best Australian Ghost Stories by Graham Seal, but if you're looking for a serious, deep and penetrating look into hauntings and apparitions in Australia that'll make the hairs on your arms stand on end, this isn't it.

My Rating:

★ ★ ★ ★ ★

Review: The Mushroom Tapes by Helen Garner, Chloe Hooper and Sarah Krasnostein

The Mushroom Tapes - Conversations on a Triple Murder Trial by Helen Garner, Chloe Hooper and Sarah Krasnostein is about the trial of Erin Patterson, accused of three counts of murder and one count of attempted murder. Charged with serving her family members a lethal lunch of beef Wellington in Leongatha in July 2023, the trial took place in Morwell in April - July 2025 where she was eventually found guilty.

I followed the news coverage of Erin Patterson’s trial quite closely and listened to every episode of the Mushroom Case Daily podcast on the ABC. For these reasons and more, I was deeply interested in the collaboration between these three Australian writers having read books by all of them.* Familiar with Helen Garner's penetrating coverage of murder trials I was also fascinated to know the types of conversations these women had on a topic I never seem to tire of.

The Mushroom Tapes is a slim offering at only 240 pages so immediately you know you're not going to get a comprehensive coverage of the trial. What surprised me on the very first page though was that the authors weren't in attendance at the beginning of the trial. They'd been asked if they were going to cover the trial and they each said no. All three authors equally hadn't wanted to write about the case and hadn't not wanted to write about it. 

However after they heard the evidence from Simon Patterson's Aunt Heather Wilkinson that the guests ate from grey plates and the host ate from an orange one, they changed their minds and were galvanised into action. Helen Garner said that she didn't want to follow another big trial by herself and was glad to be asked to work with Chloe; accomplished herself with two trials and two books to her name. On day five they decided to cover the trial together and piled into the car to Morwell.

In the early stages, the women weren't sure whether they were collaborating to write a book or produce a podcast so they recorded their conversations with a view to deciding later and it shows.

Sharing the duties of sitting in the courtroom and listening to the live testimony in Melbourne via media audio-link, the reader is given snippets of conversations taking place in the car to and from court or over the phone. Often reading like a script, the effect made me feel as though I was in the car with them but without hearing their full experience.

These conversations ranged from how they felt standing outside Erin Patterson's house to the Defence Lawyer's potential advice to the defendant regarding a guilty plea; noting that if her lawyers know Patterson is guilty they can't make arguments inconsistent with that as they have a duty to the court.

"Most charges end up resolving in a guilty plea. But the personality that commits a crime like this is the same personality that believes they can get away with it." Sarah, Page 77

Every intellectual discussion the authors had about the case was of interest, including the conversation about whether the defendant might have a personality disorder and whether she was envious of the love shown to her children by their father and grandparents.

Shockingly, Helen has learned from attending family murder trials that just because you love someone doesn't mean you don't ever want to kill them; a statement which caused me to stop and ponder. It seemed to me the authors believed Patterson was guilty as they considered the difference between remorse and regret:

"Helen: Raimond Gaita says that remorse is a pained, bewildered realisation of what it means to have wronged someone. Sarah: Regret is self-interested. Remorse is a deeper thing." Page 134

Analysing Patterson's conduct in the witness box, they note that she's been unable to maintain a job, study or relationship for any sustained period of time despite having every resource, intellectual and financial at her disposal. They comment on her ability to unsettle them and notice that there's 'some force sheeting off her.' While they do discuss her persona and her false self, I was surprised they never talked about the family estrangements with her sister and her parents, and if they did, I'd love for it to have been included in the book.

I wasn't surprised to read that Patterson disagreed with every single witness but fascinated to hear that she talked back to the Prosecutor Nanette Rogers SC when being questioned on the witness stand with semantic critiques like these:

"Sorry, I was confused by the double negatives," and "You're going to have to rephrase that, so I know what you're talking about." Pages 200-201

I can't even imagine delivering that amount of snark or attitude in a Police interview room, let alone if I was in the witness box on trial for murder.

The authors often reflect on the huge scale of the media following this trial, their feelings on their own involvement and the incredible global interest in this case:

"Two hundred and fifty-two journalists and outlets are on the court media's daily email list, including representatives from fifteen international media outlets. There are seven podcasters, seven documentary crews, one television drama series and nine authors, including us." Page 140

Growing up in Gippsland, it's hard to fathom the sheer level of interest this case has generated and the authors often try to determine what it is about the murders and murderer that has captured this level of attention.

When acknowledging the closing arguments for the Defence by Colin Mandy SC, I was reminded of his address to the jury:

"If you think that it's possible that Erin deliberately poisoned the meal, you must find her not guilty... If you think that maybe Erin deliberately poisoned the meal you must find her not guilty. If you think that she probably deliberately poisoned the meal, you must find her not guilty." Page 209

Recalling this coverage brings a chill down my spine as I feared the jury would find Patterson not guilty after hearing it. When discussing her guilt or innocence, Helen acknowledges this as one of the most brilliant performances she's ever seen in her life while Sarah agrees Patterson is a liar but that liars can still be not guilty of murder.

Discussing what they would do in the event of a hung jury, Helen was clear that she wouldn't want to do anything with the tapes and would walk away from the project. Sarah mentioned she would be incapable of not attending a potential retrial while Helen would feel glad to escape one and doesn't want to write something that's going to attract the defendant's animus or attention.

Late in the book during the jury deliberations, they acknowledge that the podcast they'd started making has fallen over and that sometimes it feels as though the book they're still loosely imagining might do the same. This indicates to me that there was no clear plan at the outset and that one failed to emerge during the trial. And what's with the book cover? I was fortunate to purchase a copy signed by each of the authors but I thought it was the advanced reader's copy when I first saw it in the publisher's catalogue.

But most disappointing of all was the fact that there was no discussion or reflection on the verdict or the sentencing at all! The reader is privy to the verdict and the sentencing by Justice Beale, but then that's it. Without their thoughts on the verdict and the all important sentencing, The Mushroom Tapes feels unfinished. And perhaps it is.

True crime enthusiasts looking for a thorough or comprehensive summary of the trial will need to look elsewhere, perhaps to one of the seven podcasters, seven documentary crews or nine authors also covering the case. I had enough interest in this collaboration and Helen Garner's perspectives to keep reading but I was ultimately disappointed and wanted so much more from The Mushroom Tapes. I'd even be keen to listen to the raw footage!

My Rating:

★ ★ ★ ★ ★

*Books I've read by the authors:

Helen Garner
Everywhere I Look
Joe Cinque's Consolation

Chloe Hooper
The Arsonist - A Mind On Fire

Sarah Krasnostein
The Trauma Cleaner

Kill Your Boss Winner Announced

Thanks to everyone who entered my giveaway to win a copy of Kill Your Boss by Jack Heath. I received 115 entries in total and everyone correctly identified that Kill Your Boss is set in a Public Library.

One entrant gave me their postal address instead of their email address so I'm unable to advise them of the outcome of the giveaway, sorry about that Suz!

The giveaway closed on Christmas Eve and the lucky winner was drawn today, congratulations:

Malvina!!

Congratulations Malvina! You've won a copy of Kill Your Boss by Jack Heath valued at $34.99 thanks to Allen & Unwin. I'll be sending your prize out to you directly along with a few bookmarks and you'll receive an email from me shortly so that you can provide your postal address. Congratulations and I hope you don't get any ideas to kill your boss after reading this clever Australian whodunnit.

Carpe Librum!

WIN a copy of Kill Your Boss by Jack Heath

Intro

Kill Your Boss by Australian author Jack Heath is the third book in the Kill Your series and features Detective Sergeant Kiara Lui who investigates a death at the local public library. Kill Your Boss can be read as a standalone and I gave it 5 stars in my recent review. Luckily for you, I received an additional copy from Allen & Unwin and am running a giveaway with permission from the publisher. I'll be sending the prize out to the lucky winner after Christmas so enter below and good luck!

Blurb

What would it take to turn you into a killer?

Detective Sergeant Kiara Lui has just broken up a loud brawl between two blokes in front of the Warrigal Public Library. But just as she's about to leave the scene, a man inexplicably plummets from the sky and slams into the bike rack right in front of her, dead.

Neville Adams was the head of library services, hated by staff, borrowers, and in fact anybody who had ever met him. Kiara quickly seals the building, trapping everyone who might have pushed him off the roof. She expects to have someone in custody within minutes.

Instead, the investigation becomes the most challenging and dangerous of her career as it spirals outward, ensnaring half the town. It seems that Neville was connected to the disappearance of Emmylou Chisholm - a case that Kiara could never solve, and that has haunted her ever since.

If the killer isn't found fast, the first two victims won't be the last ...

Giveaway

This Carpe Librum giveaway has now closed!

Review: Sensational by Ashley Ward

It's widely accepted that we have 5 senses: vision, hearing, taste, smell and touch but according to Ashley Ward, we might have as many as 53 senses. Ashley Ward is a Biologist in Sydney specialising in the field of animal behaviour and in Sensational - A New Story of Our Senses he delves into disciplines as diverse as psychology, ecology, medicine, economics and engineering to expound on the senses.

Listening to the audiobook narrated by David Morley Hale, the author addresses each of the primary 5 senses in their own sections. He also points out many other senses we already know about but may not have considered, like the sense of time, the sense of direction and the sense of balance or proprioception.

One of the most interesting facts I learned was that plants register vibrations and also make sounds. You might remember the scene in Harry Potter and the Chamber of Secrets when Professor Sprout delivers a lesson on how to safely repot a mandrake, noting that the screams of the plant's roots can be fatal to those who hear them. Well, according to the author:

"It'd be a long stretch to say that plants scream, but when they're stressed or damaged, plants emit high ultra sonic sounds and they do this at a volume that's roughly the equivalent of our conversation, about 65 decibels." Chapter 6

Fascinating! But also isn't that just a tad creepy? Next time I'm trimming the dead ends from the leaves of my peace lily I'll be worried it's emitting sounds of distress. I wonder if they can also produce sounds of relief when watered, or perhaps when their dead ends are trimmed. Let's go with that.

I didn't know humans can distinguish over a trillion different smells and that women have a better sense of smell than men. Sensational by Ashley Ward is full of information like this and is recommended for readers with a serious interest in science, biology and anatomy.

My Rating:

★ ★ ★ ★ ★

Review: Kill Your Boss by Jack Heath

* Copy courtesy of Allen & Unwin *

Detective Sergeant Kiara Lui is back in Kill Your Boss by Jack Heath. We last saw Kiara in Kill Your Husbands, the second in the series that began with Kill Your Brother back in 2022. Kiara is working in the small town of Warrigal in New South Wales (not Warrigul, Victoria) when a body falls from the roof of the public library onto a bike rack directly in front of her.

Neville was Head of Library Services and was disliked by almost every person who was unlucky enough to know him or had the displeasure of working with him. Kiara has multiple suspects and we're given multiple character perspectives in this whodunnit including Neville, Kiara, Kiara's colleague Ben and several staff members at the library.

The Australian location is relatable and Jack Heath's sense of humour always makes me laugh:

'You ever heard that funny German word - the one that means "a face in need of a slap"?' 'Backpfeifengesicht,' Ben puts in. 'That's the one!' Steven says, delighted. 'I could never pronounce it. Think the Australian equivalent is "fuckwit". Page 187

However as Kiara investigates Neville's fall and the prime suspect turns up dead, there are glimpses of insight I always enjoy from this author:

"Coffee doesn't make you more alert, it just stops you from noticing how tired you are. It's like hiding the fuel gauge instead of filling up the tank." Page 77

I really enjoyed this analogy and found myself quoting it for a friend within a week of reading it. Even as I was doing so, I acknowledged the strangeness of quoting a crime author - of a killer cannibal series no less - during a conversation with a friend in need. Thanks Jack!

I believe Kill Your Boss can be read as a standalone although I enjoyed it more than Kill Your Husbands, tipping it over into 5 star territory. The library setting and the cast of characters made Kill Your Boss a highly enjoyable read and fans of Benjamin Stevenson will definitely enjoy this clever Australian whodunnit. 

I'll admit I'm dying to get back to the Timothy Blake series so fingers crossed Jack Heath returns soon to the best fictional cannibal ever created on the page.

My Rating:

★ ★ ★ ★ ★

Review: By Her Hand by Marion Taffe

Set in Mercia in 910AD, young Freda is inspired by stories, loves to forage in the woods and dreams of being able to write. Living with her sister and overbearing father, Freda's life is upended when her village is attacked by Danish raiders. Injured and lucky to survive, Freda is placed in the women's abbey Saint Ositha's by the newly appointed bishop. Bishop Ælle promises to teach Freda to write while capitalising on her miraculous survival in a bid to attract pilgrims to the abbey.

As she settles into her new life at the abbey, Freda struggles with her faith, continues to mourn her sister and is consumed by rage at the Vikings. Later in the book Freda's rage is stoked anew:

"I thought of Saint Paul urging us not to allow the sun to set on our anger. I smiled. This sun was not setting. This sun was rising on my anger, illuminating my rage in gold." Page 264-265

Freda is a feisty character and Marion Taffe expertly brings this period in English history alive, skillfully helping the reader make sense of the complicated politics of 10th century Wessex. A coming of age story, Freda must find her place in the abbey and eventually develops a connection with Æthelflæd, Lady of the Mercians. Freda is inspired by Æthelflæd's courage and steadfast leadership and their shared bond over grief.

"Death's twin sister is Grief. She waits at the door while Death takes the soul, then Grief enters the living. The first time you meet, she ties a chain around your heart and fastens it with hooks, and the hooks dig deeper with the effort of each beat. Grief is with you always. She is the long cold night. The eternal uhtcearu." Page 205*

*Uhtcearu (oot-key-are-oo) is an Anglo-Saxon word that translates to mean pre-dawn anxiety or nighttime sorrow.

I adored Taffe's writing in By Her Hand and I agree with the publisher that it will appeal to fans of Hamnet by Maggie O'Farrell, Year of Wonders by Geraldine Brooks and The Anchoress by Robyn Cadwallader. I also think it'll appeal to readers who enjoyed The Good Wife of Bath by Karen Brooks, Rapture by Emily Maguire and Book of Colours by Robyn Cadwallader.

I was fortunate to purchase a signed edition of By Her Hand at Readings during a visit with a friend and the irony that it's signed by the hand of the author isn't lost on me. And can we take a moment to admire the stunning cover design? This has to be one of my favourite covers for 2025 and having recently enjoyed Raising Hare by Chloe Dalton, I took great pleasure seeing the hare on the cover and the meaning it has for the protagonist.

The importance of stories is a key thread in this historical fiction novel, and in a meta fashion, the author acknowledges the power of story in a conversation between Bishop Ælle and Freda:

"Have I not taught you that stories are spears in the right hands? Even a lie can be shaped, tamed, turned into an elegy to make a man yield. A poem can forge a kingdom. A riddle can crush a mind." Page 290

I always read the Acknowledgements section of a book but can't remember the last time I commented on one in a review but I have three observations worth noting from this one. I really enjoyed learning that the author tried to build Saint Ositha's in Minecraft with her children and I'd love to see it. Secondly, it was cool to hear the author made hearth cakes - frequently referenced in the book - with her children for research during lockdown. I'm imagining they would taste like damper but I'd love to try them. Thirdly, and I rarely see this, but Marion Taffe thanks the authors who provided generous and thoughtful endorsements for this book. It may seem obvious but often this is never publicly 'acknowledged' by authors in this way and her gratitude impressed me.

Australian author Marion Taffe has burst onto the scene with this debut and I thoroughly recommend By Her Hand to fans of historical fiction set during the early medieval period, even if this is your first time venturing that far back in history. You're definitely in safe hands but if you're not sure, you can read the first few chapters in a free sample from the publisher.

My Rating:

★ ★ ★ ★ ★

Review: 488 Rules for Life by Kitty Flanagan

Kitty Flanagan is an Australian comedian and I've enjoyed watching her in the ABC comedy drama Fisk where she plays the lead role of a lawyer at a small suburban law firm.

In her book 488 Rules for Life - The Thankless Art of Being Correct, the author lists rules for life, that if followed, would make all of our lives easier. You'll nod in agreement as you read some of these relatable rules - don't answer your phone in the toilet - and you'll cringe in recognition as you recall those who regularly break these rules in your own circle.

I listened to this audiobook in the car over the course of 2 months, listening for 15 minutes at a time and it was a great short form of entertainment for a long road trip. Coming in at under 6 hours in duration, it's best enjoyed in shorter grabs so that the novelty doesn't wear off.

The genesis of the book was a segment on The Weekly, a TV show on the ABC and the author has grouped the rules into themes / chapters such as:

• Around the home
• At the office
• Food
• Relationships & Dating
• At the Movies

As I'm typing this, I'm hearing the author's distinct voice in my head along with her no-nonsense attitude and I could easily relate to - and agree with - most of her rules. Here's one chosen at random:

"Rule 76: 'Feed' is not a noun and should never be used as such, as in: "hey do you want to go for a feed?" No, no I don't." Chapter 4: Language

Published in 2019, I'm a little late to the party, but 488 Rules for Life - The Thankless Art of Being Correct by Kitty Flanagan is an amusing and lightly entertaining look at social etiquette and life's little irritations.

My Rating:

★ ★ ★ ★ ★

Review: Everyone in this Bank is a Thief by Benjamin Stevenson

* Copy courtesy of Penguin Random House *

The Ernest Cunningham series of books is my favourite Australian mystery series and Ern is back for the fourth time in Everyone in this Bank is a Thief by Benjamin Stevenson. This time, Ern and Juliette are in a bank when it's held up by a gun wielding robber and they become hostages in a situation where there are ten suspects and ten heists.

Yep, you read that right! The suspects are listed in the blurb so it's not a spoiler to disclose them here as Ern considers the motives of: the bank robber, the manager, the security guard, the kid, the film producer, the priest, the receptionist, the patient, the carer and Ern himself. Each person is guilty of stealing something (including Ern and Juliette!) and Stevenson cleverly discloses the stolen items on page 4 immediately building atmosphere and suspense.

How's this for an opening line:

"Given I'm dying, and have just the one pen, let's motor through the pleasantries." Page 1

Ern is a reliable narrator and the reader knows up front his survival isn't guaranteed but he's determined to get to the truth no matter what. Ern is an amateur detective inspired by the Golden Age of detective novels and fair play mysteries where the clues are front and centre for the reader. He solves impossible crimes and was in the bank to apply for a business loan to start a detective agency.

"Solving murders is just a series of people lying to you in succession: the detective part is figuring out which lies are worth killing for. It's an endless pinball of deceit." Page 193

The thefts were creative and despite being the fourth installation in the series, the mystery felt far from formulaic. Stevenson's signature humour bursts from the page and the dialogue crackles along as Ern asks questions to identify the motives for each of the ten suspects while making questionable decisions himself along the way.

"Everyone steals, whether it's product or effort, money or time. There's more you can steal from a man than just his wallet. Air, for example." Page 310

The author is a comedian and earlier this year I attended the Melbourne Comedy Festival to see The Stevenson Experience, a comedy act he performs with his twin brother James. The show includes a little audience participation and during the performance James asked if anyone knew his brother was a published author. I clapped and cheered a little too enthusiastically and the brothers asked me a few questions. I answered that my name was Tracey and mentioned that I've reviewed Ben's books on my blog, to which Ben said: "You're not Carpe Librum are you?"

It was such a mind-blowing moment that the author knew who I was but he was quick to clarify that he doesn't read reviews of his own books but has read my reviews of other books by Australian authors. This was such a memorable experience and it's a shame he'll never see my glowing reviews for this bestselling and beloved series but I admire the self discipline required. Perhaps that's how he's able to keep producing such excellent work; he's never bogged down by negative reviews and his ego is kept in check by not reading the positive reviews either.

Everyone in this Bank is a Thief by Benjamin Stevenson is a terrific bank heist mystery and you don't even need to make a deposit to read a FREE extract. Each of the Ernest Cunningham books have been published a year apart and I can't wait to see where the author takes the series next; hopefully we'll find out in October 2026! 

Everyone In My Family Has Killed Someone (Book 1) ⭐️⭐️⭐️⭐️⭐️
Everyone on This Train is a Suspect (Book 2) ⭐️⭐️⭐️⭐️⭐️
Everyone This Christmas as a Secret (Book 3) ⭐️⭐️⭐️⭐️⭐️

My Rating:

★ ★ ★ ★ ★

Review: The Woman in the Mirror by Rebecca James

Rebecca James is an Australian author and in 2011 and 2013 I enjoyed Beautiful Malice and Sweet Damage respectively. They were both YA novels set in Australia and in this offering she takes us across the seas to England.

Published in 2018, The Woman in the Mirror by Rebecca James is an historical fiction novel with dual timelines centred around the ominous property of Winterbourne Hall.

In 1947, Alice takes on the role of governess to twins living at Winterbourne Hall, a property situated on the cliffs of Cornwall overlooking the sea.

In present day New York, adopted art gallery curator Rachel knows nothing about her birth parents and is shocked when she learns she's the heir of Winterbourne Hall after the death of her Aunt Constance.

I love books where a building is its own character and we definitely have this in spades here. Winterbourne sits high on the clifftops and dominates the skyline of small town Polcreath, with a dark wood on the other side. One of the characters is filled with wonder when they see Winterbourne for the first time.

"It's hard to imagine a more dramatic facade. The place instantly brings to mind an imposing religious house - a Parisian cathedral, perhaps, decorated with gaping arches and delicate spires. Turrets thrust skyward, and to the east the blunt teeth of a battlement crown remind me of a game of chess. Plunging gargoyles are laced around its many necks, long and thin, jutting, as if leaping from the building's skin. Lancet windows, too many to count, adorn the exterior, and set on the western front is what appears to be a chapel." Page 15

I think it'd be awesome to see this gothic tale adapted for the big screen, even if it's just to see Winterbourne Hall. If you've been following my reviews for a while, you'll know I also love a book with twins and in this case the twins are manipulative and up to no good; perfect for a struggling governess with secrets of her own.

The romantic elements in both timelines were necessary and well-balanced, but it's fair to say they were the parts I connected with the least. Every time we were in a romance thread I found myself wishing we were back with the haunted mirror, the creepy oil painting and the duplicitous twins.

Elements of Alice's fascination with the late mistress of Winterbourne reminded me a lot of Rebecca by Daphne du Maurier and I wonder if Rebecca is one of the author's favourite books.

The Woman in the Mirror by Rebecca James is a dark gothic mystery about secrets, inheritance, haunting and a curse and is perfect to read at this time of year.

My Rating:

★ ★ ★ ★ ★

Review: Beyond Suburbia by Warren Kirk

* Copy courtesy of Scribe Publications *

Victorian photographer Warren Kirk is back with a brand new collection Beyond Suburbia. Having enjoyed Northside, Christmas in Suburbia and Westography, I was keen to discover the vistas Kirk would discover beyond the suburbs of Melbourne. Having grown up in Gippsland, I know there are plenty of old shop fronts and ghost signs to be found in every small town in Victoria and it appears Kirk has found some real gems in his travels.

The Introduction is written by Australian author Don Watson - who was born in Warragul and grew up on a farm in Korumburra - so it was nice to see a photograph of a gold hand-painted sign for the Sentinel-Times Publishing Co from Watson's home town of Korumburra in this collection.

Like Christos Tsiolkas and Helen Garner before him, Don Watson set the scene perfectly although I still would have preferred to hear from the author himself. Having enjoyed several of his collections now, I'm eager to hear what inspires Warren Kirk, how he conducts his work and how he introduces himself to his subjects, somehow managing to put them at ease in their environments while staring down the lens of what must be an impressive camera.

Whether the subject of the portrait stands in front of their home or behind the counter of their shop, the photograph invites you to see them in their domain, complete with knick-knacks, shop inventory and more besides. I found myself wondering if the photographer asked them to stand in front or behind their front gate, whether they wanted to change their clothes or fix their hair but were encouraged to stay precisely as they were to allow their genuine selves to be captured for posterity without artifice or embellishment.

In this collection I noticed an increased focus on signage and ghost signs which put me in mind of Melbourne Ghost Signs by Sean Reynolds, also published by Scribe. I wonder if these two photographers have ever met.

Kirk likes to photograph the interiors and exteriors of houses, shop fronts, motels (like the one on the cover), service stations, hairdressers, automotive shops and more. If the paint is faded or peeling, if the ironwork is rusty, if the hand painted signage is reminiscent of days gone by or the architecture is a throwback to the 1930s - 1960s it's guaranteed to capture his photographic eye.

Many of these structures - and sometimes the people in them - bring to mind those that populated my formative years and conjure memories of another era. A cafe with a timber interior and picture frames covered in seashells taken in Sale gave me a jolt of recognition, having visited there often in my youth. Some rural and regional towns were familiar from various road trips and a consequence of living in Melbourne for the past 25 years, while most could have been taken anywhere in Australia.

Warren Kirk's body of work seems to be unified by a theme of time and the passage of it, with each photograph transporting the viewer 50+ years back in time. Beyond Suburbia is recommended for anyone who enjoys photography or has an interest in Australia's social history. I wonder where his camera will take him next. 

My Rating:

★ ★ ★ ★ ★