Music
Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts
28 May 2024

Review: Butts by Heather Radke

Butts - A Backstory by Heather Radke audiobook cover

Butts - A Backstory by Heather Radke is just that; a history of butts, bottoms, bums and backsides. Heather Radke is an essayist and journalist and makes it clear early on that this exploration will focus on her own individual interest in the topic.

Published last year, the fact this wasn't going to be a - presumably dry - dull academic offering on the topic with the occasional interesting factoid was the primary appeal.

Don't take my word for it, let's hear it from the author in her own words:
"Ultimately though, this book is an idiosyncratic one. It stems from the questions that most interest me about the butt. Questions of race, gender, control, fitness, fashion and science." Introduction
I enjoyed setting expectations aside and following Radke as she covered various changes in fashion and the perception of women's butt size across history. A large derriere was once a sign of sexual deviance or sexual appetite which ironically led to the women's fashion for bustles. (See my review of Pockets - An Intimate History of How We Keep Things Close by Hannah Carlson for more on bustles.)

All that aside, I was very shocked to discover:
"In the early nineteenth century, there was a new mania for butts spreading through the British capital. Londoners were obsessed with butts. There were fart clubs where people gathered and drank different juices to see what sounds and odours they would produce." Chapter Life
Really? I wonder how prevalent this was. Black female bodies and sexuality were discussed and those who know their history won't be surprised to learn this included the case of Sarah Baartman. In the past, the butt had become a proxy for female genitalia, but like all fashion, the tides eventually turned.

After WWI, the art deco movement emerged which accompanied a significant change in women's beauty. After the lean war years of food rationing, women with curves were no longer desired and instead the flapper trend was born. Corsets and foundation garments were out and flappers were all about lean lines, straight sleeveless dresses with minimal bust or backside.

In France at around the same time was the dancing sensation Josephine Baker. Unfamiliar with her stardom and infamous banana dance - and putting this audiobook aside to watch it - I was struck by how similar the banana dance is to the provocative dance styles, hip shaking and twerking we saw emerging in the 1980s and 1990s and still today. Don't believe me? Check it out.

In the 1930s, women had difficulty buying clothing that fit off the rack due to a lack of a regulated and uniform sizing system. A study sent government employed measurers in multiple US states to measure the girth, length and height of the American woman. Later a statue of a man and a woman was created that were said to represent the average American - despite only white women being measured - and were named Norma and Normman. Radke takes the time to point out that the Norma statue doesn't have a thigh gap and how ridiculous the ideal of having a thigh gap is.

Moving on, in the 1980s Jane Fonda kicked off the aerobics craze and the infamous Buns of Steel movement. Prior to this, women didn't often work out as athletic bodies weren't considered attractive. Then Jane Fonda arrived and the rest is history. Just as Jane Fonda changed how women - and men - saw their bodies, more recent changes and influences were also included.

I greatly enjoyed learning about the influence Jennifer Lopez, Beyonce and Kim Kardashian had in popularising the return of bootylicious curves, which were a response to the 'heroin chic' look of Kate Moss. Entire chapters were devoted to Jane Fonda, Beyonce, Kate Moss, Jennifer Lopez, Kim Kardashian and Miley Cyrus and an entire chapter dedicated to the Twerk. My favourite chapter focussed on the work and opinions of Sir Mix-a-Lot and 'that' song Baby Got Back. ("Look at that butt Becky").

Those looking for commentary on butt lifts, butt implants and the BBL won't find any plastic surgery content here. Knowing in advance Radke was going to be following her interests, I can only assume this aspect of butt enhancement wasn't as engaging as the other topics.

Butts - A Backstory by Heather Radke primarily focusses on the female butt while covering a range of interesting topics: science, eugenics, fashion, history, music, celebrity culture, race, sexuality and female empowerment.

Highly recommended.

My Rating:


30 January 2023

Review: The Phantom of the Opera Companion

Andrew Lloyd Webber's The Phantom of the Opera Companion book cover

I absolutely love everything about the musical production The Phantom of the Opera: the gothic setting; the music; the operas within an opera and of course the cleverly constructed and often overlapping lyrics are just sublime. Andrew Lloyd Webber's The Phantom of the Opera Companion contains the original screenplay and reading it enhanced my already existing appreciation of the musical.
“Some of you may recall the strange affair of the Phantom of the Opera: a mystery never fully explained.” Page 62
I recently attended Opera Australia’s production of The Phantom of the Opera at the State Theatre in Melbourne four times and it continues to raise the hair on the back of my neck and give me goosebumps every, single, time.

I've always struggled to describe the sheer majesty of the title song and the "duuuuuun, dun dun dun dun dunnnnnn!" that reverberates into your chest. In this companion edition I'm pleased to have finally found a description from the screenplay that sums it up in just three words:
"The porters whip off the canvas. The auctioneer switches on the chandelier by igniting a huge battery. There is an enormous flash and the thunderous organ overture begins." Page 62
It's the thunderous organ overture which never fails to move me or ignite my senses. Reading the screenplay in full for the first time provided a new angle from which to appreciate Andrew Lloyd Webber's brilliance. The clever word play and poetic rhythm of the lyrics deliver tongue twisters one moment while other times the lines seem to trip off your tongue in sheer delight. Take the following example from Christine. Even if you don't know the circumstances or accompanying tune, the words are lyrical and seem to dance together in a way that makes my brain feel like warm, sticky caramel:
"Twisted every way, what answer can I give? Am I to risk my life, to win the chance to live? Can I betray the man who once inspired my voice? Do I become his prey? Do I have any choice? He kills without a thought, he murders all that's good... I know I can't refuse, and yet, I wish I could. Oh God - if I agree, what horrors wait for me in this - the Phantom's Opera...?" Page 125
I'm well aware that my enjoyment of this book is inexplicably connected to my love of the opera itself, but it's as though my mind enjoys picking over the lyrics and melodies and revisiting their uniqueness over and over. It then seeks to deliver snippets to me throughout the day in 100 little ear worms and sudden and tuneful outbursts without provocation. Perhaps the Angel of Music haunts me just as it does Christine...

Often the characters' lines will overlap and I was able to read all of the lyrics in the screenplay for the first time here. Sung and read together, they create a swirling sphere of linguistic pleasure that seems to envelope my brain in a sweet fog of words and music that ignites my soul and won't let go.

The musical is multi layered (like the movie Inception) with plays within the play and even makes fun of industry cliches and stereotypes in the caricature of Carlotta and the swooning lovesick and overly protective leading man Raol. There's also a clear sense of humour throughout, one of my favourites being "and what is it that I've meant to have wrote, written?" The stage production in Melbourne was exquisite and the scenery was mesmerisingly clever with performers and the set continuously transforming and defying any attempt to understand how it all works. The interactions between Andre and Firmin are absolute highlights for me, and I loved reading their 'notes sequence'.

Andrew Lloyd Webber's The Phantom of the Opera Companion is a book I'll never part with and I'm so glad I now have my own ready reference to all of the lyrics. The lyric I'm trying to learn by heart at the moment is the following from Masquerade:
"Flash of mauve ... Splash of puce... Fool and king ... Ghoul and goose ... Green and black ... Queen and priest ... Trace of rouge ... Face of beast ... Faces ........ Eye of gold ... Thigh of blue ... True is false ... Who is who? ... Curl of lip ... Swirl of gown ... Ace of hearts ... Face of Clown." Page 111
Were you able to read it through without stumbling? Are you also a Phantom tragic? I'd love to know. It could be another decade before I have the chance to “close my eyes and let my spirit start to soar” once again, but now that I have the screenplay - in addition to the Original London Cast recording from 1987 - I'll be able to re-visit the Music of the Night any time.

Highly recommended!

My Rating:


29 December 2019

Review: Prince Lestat and the Realms of Atlantis by Anne Rice

Prince Lestat and the Realms of Atlantis by Anne Rice book cover
Prince Lestat by Anne Rice was a disappointing read for me in 2017, which has made the next in The Vampire Chronicles series - Prince Lestat and the Realms of Atlantis - a real worrisome presence on my TBR. Given to me for Christmas in 2016, it even made my Intimidating Books on My Bookshelf post for Boomerang Books back in May 2018.

Reviewing this post recently, I realised I was yet to tackle any of the books from the list and decided Prince Lestat and the Realms of Atlantis was the easiest and most accessible. And I'm so glad I did. Anne Rice has returned to form and the storyline has moved quickly on from the stagnancy of the previous novel. What a relief.

The history behind Amel's beginnings were unexpected and the revelations about Atlantis were engaging. The overall message about the creation of mankind as we know it allowed Rice a particular slant on things which didn't involve religion and was therefore a refreshing take on humanity as we know it.

Our favourite vampires were present in the novel and once again we heard from some of them in alternating chapters. I don't mind admitting I found the complex relationships between fledglings and makers and their overlapping histories a little difficult to keep up with at times, but fortunately Rice continually reminds us of their connections to one another.

I enjoyed hearing about Marius's efforts to create a constitution to govern the blood drinkers and I hope to learn more about the rules established for the court in future books. Speaking of the court, classical music was played - and mentioned - every night at the Chateau and the observations about dress were present on every page. That said, there did appear to be a little less description in favour of a tad more action this time around which was welcomed.

Prince Lestat and the Realms of Atlantis by Anne Rice cannot be read as a stand alone, but the good news is the next in this series was published in 2018 and is called Blood Communion (Book 13). I've decided to continue with the series and look forward to reading it.

Carpe Librum!

My Rating:
★ ★

14 September 2018

Review: The Long and Winding Way to the Top by Andrew P Street

I read The Long and Winding Way to the Top by Andrew P Street in ebook format borrowed from the library and it contains Fifty (or so) Songs That Made Australia.

Presented chronologically from oldest (at Number 1) to most recent, it contains entertaining details and history on each song. As I was reading, I was constantly googling songs to remind me of the tune or the music video and desperately wanted a playlist associated with the book for easier reference.

Each section was well-researched and the footnotes were funny, but I wish they'd been included in the text as the frequent page flicking in ebook format was distracting^.

The list contains songs that 'made' Australia and were important within the music scene or within Australian culture at the time so it's definitely not a list of the 'most popular' or 'most well-known' songs.


I’ll admit not knowing many of the songs listed, while rushing off to listen to old favourites with renewed zeal and appreciation for their back-stories. Every reader is bound to have an opinion on the songs and their fair share of omissions, but overall this was a nostalgic and informative look at Australian music from 1958 - 2016.

My rating = ***

Carpe Librum!


^ See what I mean?
31 July 2018

Blogging for the 2018 Melbourne Writers Festival



I'm beyond excited to announce that I'm one of the bloggers for the 2018 Melbourne Writers Festival this year. It was such a thrill to be asked to write about my top 5 reads for the MWF18, along with five other Melbourne based bloggers. My article was published today, and you can read it here, or enjoy reading it below.*


Beneath the Darkening Sky by Majok Tulba
Majok Tulba fled his Sudanese village and came to Australia in 2001 at the age of 16, unable to read or write but a natural storyteller. In 2012 Majok published Beneath the Darkening Sky; a fictionalised story of what might have happened if he’d been forced to become a child soldier. It was an incredibly moving read and this month his second novel When Elephants Fight has been published. 

Before picking this up or seeing Majok at the festival, I recommend reading Beneath the Darkening Sky first. You will definitely be inspired.


Floating Gold: The Search for Ambergris, The Most Elusive Natural Substance in the World by Christopher Kemp
Marine biologist Micheline Jenner is an expert on whales and has a book out called The Secret Life of Whales. Before seeing Micheline at the Festival, I recommend you read Floating Gold by Christopher Kemp. 

I’ve always been fascinated by whales and ambergris in particular; the waxy substance found only in the intestines of sperm whales. Ambergris is incredibly valuable and is used as a fixative in the perfume industry. Reading Floating Gold will enhance your knowledge of whales, after which you’ll be primed to enjoy a session with Micheline Jenner.

The Long and Winding Way to the Top: Fifty (or so) Songs That Made Australia by Andrew P Street
I love music, and I’m currently reading The Long and Winding Way to the Top by Andrew P Street in readiness for the Festival. The author has selected 50 or so songs that made Australia and has carefully researched each one, presenting them in chronological order. 

I’ll admit not knowing every song listed, while rushing off to listen to old favourites with renewed zeal and appreciation for their back stories. We all have an opinion on music, so be sure to read this prior to his event so you can decide if he got it right or not.


Signs From Spirit: Inspiring True Stories from the Afterlife by Mitchell Coombes I love reading books by psychic mediums including: Lisa Williams, Allison DuBois, Sylvia Browne, James Van Praagh and John Edward. I’ve also read books by Australian mediums – including Debbie Malone – and this year I learned about renowned Australian psychic medium Mitchell Coombes. 




Mitchell comes from a long family line of psychics, gave his first reading aged just three. I want to read his latest book Signs From Spirit and will be trying to get along to Mitchell’s event to experience his amazing work with spirit in person.

Dear Fahrenheit 451 – A Librarian’s Love Letters and Break-Up Notes to Her Books by Annie Spence
If you’re reading this, you’re obviously a dedicated bookworm, booklover and bibliophile. My favourite bookish book this year is Dear Fahrenheit 451. Annie Spence is an experienced librarian and this is a collection of letters to books as well as cleverly curated booklists for all occasions. 

I instantly fell in love with Annie’s witty and natural writing style and you don’t need to have read the books mentioned in order to enjoy it. Although Annie isn’t appearing in this year’s program, I chose this book because it’s guaranteed to invigorate and energise your love of books and writing across all genres, the perfect preparation for a writers festival.

* This blog article was originally published on the Melbourne Writers Festival blog on 31 July 2018 and the festival is on from 24 August - 2 September 2018.
11 September 2017

Review: Beyoncégraphica - A Graphic Biography of Beyoncé by Chris Roberts

* Copy courtesy of Murdoch Books *

For an unauthorised and unofficial biography, Chris Roberts has managed to assemble an informative and satisfactory biography of Beyonce here. 
Bound in a very attractive hardback edition, Beyonce's epic rise to fame unfolds in a combination of stunning photographs, intricate infographics and chronological chapters.

Her time with Destiny's Child is covered well, and I was keen to learn more about her hard work ethic and the success of her early days.

Beyonce's romance and subsequent private marriage to Jay-Z is included as is the release and success of all of her albums. Beyonce's world tours are covered and her extensive philanthropic work is also mentioned.

Many of the infographics were unexpectedly detailed and a few were a little difficult to work out at first. My favourite infographic of the book showed how much it costs to maintain Beyonce's body per year and the amount of money she spends on her hair was out of this world. (Particularly given I had just received a haircut that cost me $27).


The photographs are impressive and definitely capture Beyonce's beauty and allure as an icon for feminism and girl power around the world.

In summary, I recommend Beyoncégraphica - A Graphic Biography of Beyoncé by Chris Roberts to fans of Beyonce and her back catalogue of music; those interested in the music industry; readers with an interest in feminism and music, and those curious about the rise and influence of celebrity in our society.

My rating = ****

Carpe Librum!
18 June 2017

Top 5 favourite things about Prince Lestat by Anne Rice

My Top 5 favourite things about Prince Lestat by Anne Rice:
  1. My copy is signed by Anne Rice (wow!)
  2. The cover art is divine and contains everything I love in cover design.
  3. An appendix includes a complete glossary of characters and their chronology from the Vampire Chronicles series. This was extremely helpful and a joy to read through.
  4. A second appendix includes a brief summary of every book in the Vampire Chronicles series. I relished re-visiting my favourite books again in this succinct format and it definitely made Prince Lestat accessible to new readers who may not have read all the previous novels in the series.
  5. It ended.
I'm a huge fan of Anne Rice's writing so I was devastated to find I didn't enjoy reading Prince Lestat. I even took a break, hoping I was just in some kind of bizarre reading funk, but I just couldn't find the same reading pleasure I usually find in her pages.

The plot contains chapters from different vampires as they begin to face a crisis threatening their kind and while I should have been thrilled to read about old favourites again, the cause uniting them was a bore. There were too many stylishly dressed vampires, too many marble fireplaces, too much classical music and too much love and affection for my liking.

My signed copy
All of this made the denouement seem sudden and exciting and I'll definitely read the next in the series for completeness. I already have a copy of Prince Lestat and the Realms of Atlantis and I'm hoping that Lestat's investigations of the lost realms of Atlantis will be a return to the Anne Rice I've come to know and love. Sadly, this just wasn't it for me.

My rating = **

Carpe Librum!

P.S. I recently watched an episode of The Book Show hosted by Mariella Frostrup where guests were asked to name the fictional dinner they'd most like to attend. Without a doubt, mine would be the Christmas celebration in The Wolves of Midwinter by Anne Rice. This was a good reminder that she is still my favourite author of all time.
26 April 2017

Review: Guinness World Records 2017: Blockbusters!

* Copy courtesy of Pan Macmillan Australia *

Guinness World Records (GWR) books are a household name and almost need no introduction at all. GWR continues to move with the times and their latest book Guinness World Records 2017: Blockbusters! is proof of that and a collection like no other.

With entertainment categories that include: Watch, Browse, Read, Play, Go and Consume, there is definitely something for everyone. Obviously I enjoyed the Read section the most, particularly the most expensive children's book sold at auction (the handwritten copy of The Tales of Beedle the Bard by JK Rowling bound in leather and mounted with silver and moonstones). I also enjoyed finding out the highest earning author and Top 10 kids' book villains.

I always enjoy seeing other people's collections and there is plenty to satisfy in Guinness World Records 2017: Blockbusters! The Browse chapter has a bunch of online stats and info including memorable memes, most viewed videos and most viewed wiki pages. I will say that some of the coloured font boxes were too dark and made reading the text inside them a little difficult at night. 

Other than that, there is a variety of information in Guinness World Records 2017: Blockbusters! to pique the interest of any reader regardless of age. Recommended for kids, libraries, schools and more.

My rating = ***

Carpe Librum!
20 February 2017

Review: The True Story of Guns N' Roses - Last of the Giants by Mick Wall

* Copy courtesy of Hachette Australia *

I've been a fan of Guns N' Roses since my teenage years and their music formed the basis of the soundtrack of my adolescence. I enjoyed reading Slash's self-titled autobiography in 2011 but when I heard Mick Wall was writing a book on the band, I was eager to read it. 
Mick Wall has written about other bands including: Metallica, AC/DC, Prince and Led Zeppelin - to name a few - and seems to have an acute understanding of the industry.

In The True Story of Guns N' Roses - Last of the Giants, Wall introduces the reader to each member of the band and then shows us how their paths converge and the band we know as the original line up of Guns N' Roses was formed. Their time living together in the 'hell house' was shocking and informative and it was interesting to learn about the slow and steady rise of their first album Appetite for Destruction. I was also pleasantly surprised to discover just how popular and successful they were.

Wall goes into great detail about the managers and staff around the band, contracts, concerts and tours and of course background on each of the songs. The inability of the band members to handle their fame and new found wealth is discussed as is the effect drugs had on Duff and Slash, almost killing them, and in Slash's case, killing him 5 times. 

Wall documents the gradual decline of the band and the impact Axl's behaviour had on each of the band members. Steve Adler's drug habit and eventual firing from the band is covered as is Izzy Stradlin's eventual resignation.

Axl's perfectionism and controlling behaviour is discussed - with a few surprises - as is the way in which he slowly took over control of the band until he was the last original member left. We learn about the new/replacement members of the band and the formation and success of the 'new line-up.' My favourite tidbits in the book were on page 178 and 228 and provided insight as to who wrote which songs. Little known facts such as You Could Be Mine was originally recorded during the Appetite for Destruction sessions made for interesting reading.

Reading The True Story of Guns N' Roses - Last of the Giants in the lead up to attending their Not in This Lifetime Tour earlier this month was the best preparation possible and gave me a better appreciation of just how far they've all come. I thoroughly recommend The True Story of Guns N' Roses to fans of their music all over the world.

My rating = ****

Carpe Librum!
10 February 2017

Winner of Last of the Giants - The True Story of Guns N' Roses by Mick Wall announced

Thanks to the dedicated Guns N' Roses fans who entered my giveaway to win a copy of Last of the Giants - The True Story of Guns N' Roses by Mick Wall. Entries closed at midnight on Wednesday 8 February 2017.

The most popular favourite song was Sweet Child O' Mine, however the entrant who said Sheryl Crowe's version was 'stunning' is mistaken. Now, onto business. The winner was drawn today, so big drum roll and guitar solo for the winner:
Drew Fuller
Congratulations Drew, you'll receive an email shortly and will have 7 days to provide me with your mailing address. Thanks again to Hachette Australia for the prize.

Carpe Librum!

03 February 2017

Friday Freebie to WIN a copy of Last of the Giants - The True Story of Guns N' Roses by Mick Wall

* Copy courtesy of Hachette Australia *
RRP $32.99 AUD


Have you got a Bad Obsession? Do you love to read in The Garden or do you prefer to read in bed listening to November Rain? You're going to need a little Patience because I have a One In A Million opportunity for you to WIN a copy of Last of the Giants - The True Story of Guns N' Roses by Mick Wall. You're Crazy if you miss this giveaway because It's So Easy to enter. Just fill in the form below and tell me your favourite GNR song; just Don't Cry if you miss out.


I finished reading my review copy yesterday and it was an excellent insight for fans, especially in the lead up to their Australian tour later this month. Smoke 'em if you got 'em!

Blurb
A major, definitive biography of Guns N' Roses by the man who was very much a part of what remains the most iconic rock story of the last three decades.

Many millions of words have already been written about Guns N' Roses, the old line-up, the new line-up. But none of them have ever really gotten to the truth. Which is this: Guns N' Roses has always been a band out of time, the Last of the Giants. They are what every rock band since the Rolling Stones has tried and nearly always failed to be: dangerous. At a time when smiling, MTV-friendly, safe-sex, just-say-no Bon Jovi was the biggest band in the world, here was a band that seemed to have leapt straight out of the coke-smothered pages of the original, golden-age, late-sixties rock scene.

'Live like a suicide', the band used to say when they all lived together in the Hell House, their notorious LA home. And this is where Mick Wall first met them, and became part of their inner circle, before famously being denounced by name by Axl Rose in the song Get in the Ring.

But this book isn't about settling old scores. Written with the clear head that 25 years later brings you, this is a celebration of Guns N' Roses the band, and of Axl Rose the frontman who really is that thing we so desperately want him to be: the last of the truly extraordinary, all-time great, no apologies, no explanations, no giving-a-shit rock stars. The last of his kind.

Giveaway

This giveaway has now closed.
21 November 2016

Review: Southern Ruby by Belinda Alexandra

* Copy courtesy of Harper Collins Australia *

Southern Ruby by Belinda Alexandra is an excellent read, but I have to say it has the most misleading book cover I've seen in a long time. You could be forgiven for assuming Southern Ruby is a romance novel, however what you'll find instead is a steamy mystery set in New Orleans just prior to Hurricane Katrina.

Amanda is the protagonist and the family matriarch Ruby takes her back to the 1950s to fill in details of her family history.

Southern Ruby is brimming with themes of forbidden love, identity and family, loss, class, racial conflict, jazz and burlesque dancing and I really enjoyed it. Southern Ruby also touches on an event in recent history I'm fascinated by, and that's Hurricane Katrina.

New Orleans could easily be considered the third character in the novel and a place I've always been fascinated by. One of my favourite authors - Anne Rice - has expertly captured the essence of New Orleans in her writing, however Belinda Alexandra is the first author to come close to equalling her talent on the page in my opinion.

I enjoyed discovering a new (to me) Australian author in Belinda Alexandra and I look forward to reading more of her work in the future.

My rating = ****

Carpe Librum!
26 March 2014

Review: Big Brother by Lionel Shriver

Pandora is a successful businesswoman, married to Fletcher and step mother to his two children.  In the last few years Fletcher has become a health nut, heavily into cycling. Meanwhile Pandora loves to cook and once ran her own catering business so Fletcher's aversion to food is getting on her nerves.

Pandora's brother Edison is a jazz musician and when she learns he's been experiencing a run of bad luck she agrees to let him stay with her family for a while.  When Pandora arrives at the airport to pick him up she's shocked to find her once handsome brother is now morbidly obese and can barely walk.

Fletcher (health fanatic) and Edison (foodaholic) inevitably clash and what ensues is a fascinating look at family dynamics, social etiquette and relationship loyalties.

Check out this blurb excerpt from GoodReads:

Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.  Source: GoodReads

I was gripped by the characters and the plot although there was an overload of jazz content at times, forgivable because it's all Edison talks about.  Lionel Shriver had me in the palm of her hand until an unexpected turn towards the last quarter of the novel.

Without spoiling it, the change in direction left this reader feeling betrayed and a little cross.  Would I recommend Big Brother to other readers after this?  Maybe not, but am I glad I read it? Definitely.  This swing in my enjoyment levels makes it hard for me to give Big Brother a star rating, but I've settled on 'good read'.

My rating = ***

Carpe Librum!
24 June 2013

Review: The Book of Lists by David Wallechinsky & Amy Wallace

The Book of Lists by David Wallechinsky & Amy Wallace book cover
The Book of Lists - The Original Compendium of Curious Information by David Wallechinsky and Amy Wallace is a clever non-fiction collection of trivia and interesting stories and information broken down into the following chapters:

  • People
  • Movies
  • The Arts
  • Food and Health
  • Animails
  • Work and Money
  • Sex, Love and Marriage
  • Crime
  • War, Politics and World Affairs
  • Travel
  • Literature
  • Words
  • Sports
  • Death
  • Miscellaneous

The book gets its title because all information contained within each chapter is presented in list form.  For example, in Chapter 1, People, we have a list of 6 People Whose Names Were Changed By Accident; which happens to include: Buddy Holly and Oprah Winfrey.

Here are some of my favourite lists from the book:

  • 8 Memorable Lines Erroneously Attributed To Film Stars (Movies)
  • 10 Famous Insomniacs (Food & Health)
  • 10 Really Unusual Medical Conditions (Food & Health)
  • The Cat Came Back: 9 Cats Who Travelled Long Distances To Return Home (Animals)
  • 15 Famous People Who Worked In Bed (Work & Money)
  • 11 Most Unusual Objects Sold on eBay  (Work & Money)
  • Witticisms of 9 Condemned Criminals (Crime)
  • 29 Words Rarely Used In Their Positive Form (Words)
  • 10 Celebrated People Who Read Their Own Obituaries (Death)
  • 16 Famous Events That Happened In The Bathtub (Miscellaneous)

The Book of Lists is the perfect book to have on the coffee table so that others may enjoy the obscure trivia and hilarity within its pages.  I also found it a great accompaniment to a novel I was reading at the time; enabling me to interchange quite easily depending on my mood.

The Book of Lists contains a wide variety of interesting tidbits, and I just hope I can remember them all.

My rating = ****

Carpe Librum!
03 May 2013

Interview with Bestselling UK Author, Sarah Rayne

I must admit, I was a little star-struck interviewing my next author.  She's an international success, I've read 6 of her novels, and couldn't believe my good fortune when UK based author Sarah Rayne readily agreed to an interview with Carpe Librum.  What a joy!

Interview Questions
Sarah, welcome, and thanks so much for joining us.  You've written and published an astonishing 20 novels, when did you know you wanted to be a writer?
Writing always seemed a natural progression from reading.  Everyone in my family read – going along to the local library every week was part of the routine.  
Bestselling author, Sarah Rayne
At school, I was the one who loved it when we were set essays.  When I was 13 I wrote a play for the Lower Fourth to perform.  That was great fun and it was the era of angry young men, so I had visions of a glittering career alongside Harold Pinter and Peter Shaffer.   By the age of 16, however, I switched to poetry – the role models then were 18th Century aesthetes dying romantically in garrets.  (My apartment is on the upper floor of the building, which is the nearest I’ve got to a garret so far).

I've read six of your novels, and each of them features an old, menacing, often derelict or run down building with a creepy and colourful past.  Is it a love for architecture or a love of history that drives you to create these eerie buildings around which the central plot unfolds?
I think it’s about 75% history, and 25% architecture.  

In your essay Where I Like To Write, you wrote: "I love houses – all houses. I love their memories and their histories and their atmospheres and their quirks."  Do you believe every house has a story?
Yes, certainly.  There’s a marvellous theme running through Benjamin Britten’s opera, Owen Wingrave, which is based on the Henry James’ story.  And it’s – ‘Listen to the house.’ 
And I do just that.  I don’t mean yomping round the Tower of London and thinking you’re seeing Ann Boleyn floating towards you.  I mean ordinary buildings where people have lived and worked.  There’s so much to hear from them – their atmospheres, their histories, their useage, present and past.  (I love the word yomping, must use that!)

In What Lies Beneath, there was a haunting piece of music called The Deserted Village written by an Irish composer in the mid-to-late 1800s that played an important role for several characters in the story.  Was there any particular music that inspired this piece, does it exist, or is it purely fictional?  (I'd love to hear it!)
It’s actually a real piece, which I found by the purest good luck.  What Lies Beneath had an odd genesis.  I originally wanted to make the village a drowned village – quite near to where I live is a beautiful and mostly unspoilt village.  On the outskirts is a massive reservoir, and there’s an elusive but wonderfully eerie legend that says the reservoir’s creation drowned a number of buildings that are still down there.

Drowned buildings…   Even an entire drowned village.  For a long time the concept fascinated me. The trouble was that it had fascinated a number of other writers as well, and it had been used in plots several times.  There’s even a term for the genre – reservoir noir.  
But the idea stayed with me, and I delved a bit deeper into the tradition of lost villages.  The UK has a remarkable number of them – I’m sure most countries have.   Remote pockets that once were thriving communities, but that, for widely different reasons, now lie dead and silent.  In the main, they were lost to natural enemies  such as coastal erosion.  In Europe many were wiped out by disease – the Black Death in particular.   
Then I found a poem by Oliver Goldsmith called The Deserted Village, written in 1770.   One of the lines is –
Could any writer be given a better image?   That was when I came up with the idea of – not a drowned village, but a poisoned village.  An ordinary English village that had been the subject of an experiment during the Cold War.  But an experiment that went wrong, so that the place had to be sealed up for the next fifty years.  What secrets can you hide inside a place closed to everyone for half a century?  At that point, my lost village, with all its long-reaching secrets, suddenly became possible again.  And What Lies Beneath could be written. 

It was during the actual writing of the book that I found the reference to the music of The Deserted Village.  It seemed to echo the poem so beautifully, and to fit with that particular plot-strand, that I seized on it and incorporated it into the narrative.   But I wasn’t able to track down a recording, although like you, I would love to hear it.  So if anyone reading this happens to have a recording or a disc or even the sheet music, I would be hugely grateful to know. 

Do you listen to music yourself when you write or do you prefer silence?
I very often listen to music, usually Classic FM which is a terrific radio station we have in the UK.  I’m a massive fan of Mozart and also Bach – those two gentlemen have helped me through many a difficult patch of writing – in fact through many a difficult patch of life as well.  I also have a particular piece of music by Berlioz – an overture called Rakoczy March, which has never yet failed to kick-start a sluggish writing mood.  I do think music can conjure up so many marvellous images.

Do you plan your novels in advance or does it unfold as you go?
I usually start with an idea, which I scribble down on any odd bits of paper or backs of envelopes or whatever’s to hand at the time.  Then I start to build a story around that.  The ideas can come from anywhere.  

One instance is when, some years ago, I saw a TV documentary about conjoined twins.  Among the case histories presented was one about two teenage boys who had been successfully separated a few years earlier.  But after the surgery they both had identical near-nightmares in which the original ‘Siamese twins’, Chang and Eng Bunker, stood at the foot of their beds and threatened to have them re-joined.
‘We could never be separated,’ said these dream figures.  ‘So why should you?’
The idea of a plot based on two sets of conjoined twins – but a hundred years apart – dropped straight into my mind, and on the premise of that I wrote A Dark Dividing. (Another fabulous book!)

Can you tell us about the research required for your novels?  What is some of the more unusual resource material you've consulted or research you've undertaken?
Research is often a bit fragmented, and I usually do it as I go along.  It’s generally a question of scouring books and storming appropriate libraries and, of course, using the internet – although I’m careful to remember that not everything on the internet can be entirely trusted. 

Field research can be huge fun.  For What Lies Beneath, (by that time firmly based on a poisoned village rather than a drowned one), I needed to know if a church organ could make any kind of sound after it had been abandoned for fifty years.  I managed to track down someone who held the daunting title of Music Director of something-or-other for several counties, and he arranged a meeting at a fourteenth-century church with a firm of organ tuners and restorers.  

It turned into quite a party.  The organ-builders had come in a force of three (grandfather, father and son), the Music Director came along to unlock the church, my partner elected to act as chauffeur on the grounds that I would never find the church by myself, and my brother joined in with the idea of photographing the proceedings.  When we got there, a couple of grave-diggers were leaning on their spades, exchanging epigrammatical wit like the last act of Hamlet.
Sarah Rayne blowing through an
organ pipe in 14th Century Weston Church
I explained the problem in more detail.  The book I was working on had as part of its story a desolate and eerie old church.  So I needed to know if the organ, abandoned for half a century and most likely half-rotting, would be still capable of creating music.  This was greeted with silence, so I said, ‘I don’t mean a Bach fugue needs to be bashed out, just a few chords.  Or,’ I said hopefully, as the silence lengthened, ‘a single note.  Any note would do.’

By this time I was ready to abandon the plot of What Lies Beneath, write a totally different book in the hope that my editor would have forgotten the original synopsis, and beat it out of the Saxon arch door. 

But incredibly, stops were pulled out (literally and metaphorically), and the trio of organ-makers nodded solemnly, and said, yes, it could be done.  A wooden organ-frame would rot, but metal wind pipes were indestructible.  You might drop a set of metal organ pipes in the Atlantic ocean if you were so minded, and leave them there for a hundred years.  They would still be capable of producing sound.  The trio proceeded to dismantle part of the organ there and then – cheerfully calling down to one another as they did so to mind your toe, silly clot, the E-flat’s coming down. 

They spread the metal wind pipes before my feet, and said I could have whatever sound I wanted.  Thin reedy sounds from the small pipes, booming sonerous ones from the large ones.  It was just a question of blowing into each pipe – 2 or 3 together if it could be managed.  It was pretty much the same principle as a flute or a recorder.

They demonstrated.  The smallest pipe gave a happy tootle and at the other end of the scale was a massive giant’s-drainpipe structure, which took all 3 men to lift it.  That sounded like the QE2 coming in to dock.  The grave-diggers came in at this point and helped by trying to play Three Blind Mice.  Try it for yourself,’ said the senior organ tuner, so I did.  I tried them all, in turn, from falsetto to bass. It was more fun than I had anticipated and my brother took a series of photographs, insisting that they might come in handy for publicity on publication or handing round at Christmas parties that needed livening up.

But the sounds were exactly what I wanted.  The musically-knowledgeable hero in the book could very easily prowl through the shadowy desolation of the old church, and try to re-create a fragment of its plainchant history with several of the dispersed pipes. The villain, up to no good in the grounds outside, could be very satisfactorily spooked by the sounds. (Wow! I bet no other author has blown into an organ pipe in a 14th Century Church in the name of research).

Sometimes, though, field research isn’t quite so easy as driving a few miles.  Several years ago I wrote a book – contemporary horror – based on the 17th Century Countess Elizabeth Bathory.  She used to bathe in the blood of virgins to preserve her youth and beauty.  (I should say at this point to readers, don’t try this at home.)


Blood Ritual by
Sarah Rayne
The Countess lived in the Carpathian Mountains, but she also had a town house in Vienna.  At the time I couldn’t afford to travel to either place, but a few years later I did go to Vienna, and I found her house in a place called the Blutgasse – Blood Alley.  I was very glad to discover that the Blutgasse was fully as creepy and ancient as I had described.  One of those really eerie pockets in Old Vienna.  

What I didn’t expect was that a neighbour of Elizabeth Bathory’s was Mozart – about a 150 years later he had lived a few houses along from her.  They could have waved to one another, or discussed the weather when putting out the milk bottles – if it wasn’t for the century and a half that separated them.  They certainly weren’t 2 people I would have associated with each other on any level at all. 

I do wonder if I would have written parts of that book slightly differently if I’d been able to travel to Vienna at the time.  (That book isn’t in print now, but it is available in digital form, and the title is Blood Ritual).

Atmosphere is such a big part of your writing, do you ever like to write outside or in public?  (Sometimes I imagine you with a notebook in an old church for What Lies Beneath, or in a run down boat house in House of the Lost).
I have tried the ruined church/deserted manor house setting, but it always seems beset with difficulties.  Either a party of tourists wanders in and stares at me suspiciously (or reports to the vicar that there’s a peculiar person on the premises, behaving very oddly), or papers get blown away and resist all efforts to recapture them from inaccessible corners or muddy river banks.  Inquisitive spiders crawl across the page, plumbers arrive to clean out drains, or builders start cheerfully hammering at roofs.   Or I’m faced with a black, blank screen, because I’ve forgotten to charge the laptop’s battery.  So I usually just make notes or mutter furtively into a portable tape recorder, and take photographs.  Then I beat it back to the comfort of my study, where I have a view across fields, and a tree just beyond my window which houses an owl who emerges at dusk and glides silently across the sky.
Is her writing
 style gothic?

Would you describe your writing as gothic?
I’m never sure about that.  It’s been described by other people as gothic, and I suppose there are gothic elements in it – particularly in the series of ghost-themed books I’m currently working on.  

Do you have any literary influences?
I think I’ve probably been influenced by some of the great gothic writers – Edgar Allen Poe, Henry James, Wilkie Collins.  The wonderful short stories of M.R. James which delight me every time I read them.  And modern gothicists such as Susan Hill and a writer called Jonathan Aycliffe. I’m also a massive fan of Dorothy L Sayers.  

As well as that, I’ve recently gone back to the classics, and I’ve been working my way through Charles Dickens. While I was writing The Sin Eater I became engrossed in Bleak House.  I do love Dickens’ humour, and I have to say that some of his marvellous descriptions of London in the mid-1800s were extremely useful – The Sin Eater has several sections set in 1890s London, so reading fiction of that era was tremendously helpful.  


Sarah's all-time fav book
Broome Stages by
Clemence Dane
One of my all-time favourite books is a huge tome called Broome Stages by Clemence Dane.  I discovered it about 30 years ago and I think it probably influenced the plot of Ghost Song, which is a book I wrote a few years ago and is still very close to my heart.
I probably read Broome Stages on average about once every 4 years.  The copy, which wasn’t new to begin with, is in severe danger of falling apart these days.  In a very general way the book is a family saga, but it’s like no family saga I’ve ever read, before or since.  It spans 1715 - 1930, and it covers 7 generations of a theatrical family.  The story begins with travelling players in tavern courtyards, and traces the family’s rise – through the Victorian actor managers, those lovely fruity characters who re-wrote Shakespeare to suit themselves – and on into the early years of the 20th century, with the onset of the first movies.  It’s about the changing world of the theatre, but it’s also about the Broomes themselves – their loves and hates, and feuds and plots.  It’s about their fortunes in the theatre world – the buying of theatres, the building of a theatrical dynasty.  The writing is exquisite – polished and lovely, and the characters and their backgrounds are so vivid that the present-day dissolves as you read.

If, one day, I could write a book of that calibre, I think I would believe I had achieved something really great.  But I know it’s not going to happen.

What's next?  What are you working on at the moment?
I’m still immersed in the ghost-themed books, which started with Property of a Lady.  
The third in the series, The Silence, is just out, and I’m two-thirds of the way through the fourth.  (If my editor or my agent happens to be reading this, make that three-quarters of the way through…)  It features the same two central characters each time – Michael Flint, an Oxford don, and Nell West, an antiques dealer.  I’d only written stand-alones before this series, so it’s new territory for me to develop relationships from book to book, and I’m enjoying it very much.
(Brilliant, Property of a Lady is on my to-be-read list). 

What would you like to tell your readers?
I’d thank them for reading my books. 

Anything else you'd like to add?
Only that writing books is probably the best job on the planet.

Thank you so much Sarah, it's been such an honour to host you on Carpe Librum! You've been so gracious, and I've thoroughly enjoyed interviewing one of my favourite authors.

What Lies Beneath - 5 stars*
House of the Lost - 4 stars
A Dark Dividing - 3.5 stars
Spider Light - 4 stars
Tower of Silence - 4 stars
The Death Chamber - 4 stars

*Reverse order of books read