* Copy courtesy of Simon & Schuster for review *
Jesse Marley calls herself a realist; she’s all about the here and now. But in the month before Prince Charles and Lady Diana’s wedding in 1981, all her certainties are blown aside by events she cannot control. First she finds out she’s adopted. Then she’s run down by a motorbike.
In a London hospital, temporarily unable to speak, she uses her left hand to write. But Jesse’s right-handed. And as if her fingers have a will of their own, she begins to draw places she’s never seen, people from another time - a castle, a man in medieval armour. And a woman’s face.
Rory Brandon, Jesse’s neurologist, is intrigued. Maybe his patient’s head trauma has brought out latent abilities. But wait. He knows the castle. He’s been there.
So begins an extraordinary journey across borders and beyond time, one that takes Jesse to Hundredfield, a stronghold built a thousand years ago by a brutal Norman warlord and passed down to the noble Dieudonné family, a clan honored and burdened with the task of protecting England’s dangerous northern border in the fourteenth century. Jesse holds the key to the castle’s many secrets and its connection to the mystical legend of the Lady of the Forest.
Somehow Hundredfield, with its history of darkness and light, of bloody battles won and lost, will help Jesse find her true lineage. In a world where the tales of old are just a heartbeat away, there are no accidents. There is only fate.
Wild Wood is a dual narrative that draws you in from the very beginning and I was entranced by the hulking presence and history of Hundredfield; located on the Scottish borderlands. Jesse is the key to the past and her narrative in the 1980s is read alongside that of Bayard, a male character in the 1300s. I'll readily admit that I didn't want to leave Bayard's chapters at all, and each time I had to leave for one of Jesse's chapters I cried out nooooo in my head. I wanted to stay with this battle-hardened warrior and was desperate to find out what was going to happen to him, his brother Maugris and strange, mute wife.
My interest in Jesse's part of the tale steadily crept up on me and I couldn't wait for the story to meet in the middle so to speak. I love to read novels by authors who believe that the past bleeds into the present, and Posie definitely belongs to this category; as does fellow Australian author Kate Morton, and recently discovered author Kate Riordan.
By the time I finished reading Wild Wood, I felt as though I'd wandered some of the rooms of Hundredfield but was hungry for more. I particularly wanted to know more about the character of Hawise.
Luckily for me, I was fortunate enough to interview Australian author Posie Graeme-Evans below and put all of these questions - and more - to her, so please enjoy!
My rating = ****
Interview with Posie Graeme-Evans
Hi Posie, and thanks for joining me here at Carpe Librum. It’s such a pleasure to host you here today. Having successfully published five books, with your sixth Wild Wood out this month, I think many readers would like to know where you do most of your writing. Do you prefer a chaotic and free-flowing writing environment or a clean desk approach?
Hmmm. Good question, Tracey : ) I used to think I could write anywhere – and, if pushed, probably can, but now I have a real writers office for the very first time in my working life so this is where I like to write. It’s a converted dairy building on a hill, and Andrew (my husband) rebuilt it from being a smelly old shed - when we first saw the place, 200 chooks were in residence - to a civilized room with windows on all sides and lovely views. It’s my book-doona. Doesn’t mean it’s tidy all the time, though! I have periodic frenzies where I chuck everything out, clean everything beautifully, then go through the rubbish because I’ve lost all my notes!
|Posie's writing desk; where the magic happens|
|Posie's office (above) is a converted dairy|
Can you tell us about the research you undertook to write Wild Wood? What is some of the more unusual resource material you've consulted in your writing career?I research by walking the story-ground. I think long training in making TV drama has taught me that – pictures first, words second (yes, odd for a writer.) So, that generally means physically going to where I think the story, as it develops, is set. I don’t get to travel as much as I’d like (going to the UK where my books seem, mostly, to be set is expensive!) but, hand on heart, it makes such a big difference to just stand there and look, and smell and feel and… be. As a writer, I think the stories find me, not the other way around…
Also, because my novels are set in the past, a roll-call of eccentric and unusual buildings I’ve stayed in on the research trail ticks the box marked “unusual resource material”.
Monkton Old Hall Pembroke - a priory guesthouse
run by the Benedictines for pilgrims on the way to
the shrine of St David. Haunted! Believe me!
Then there’s the Bath Tower at Caernarfon Castle on the Menai Straits in Wales. Another ancient place, C12th this time, but I slept in a crenelated bedroom at the top of the tower with arrow loops set in the 2m thick walls. And why is it called the “Bath Tower”? Apparently because there were public baths for the soldiers in the basement – a “stew” in the terms of those days (medieval people often went to public baths) – and it was also a place where the women who followed the garrison and the castle workmen plied their trade. The neighbours wouldn’t have liked that!
What was the hardest part of writing Wild Wood?
Having faith I could blend a legendary character into ancient & current events and amongst people who needed to feel real. And, writing half the book in the first person voice of a C14th warrior! That was tough, and fascinating. I hope some of my male readers will let me know if I’ve got there : )
Hawise is a very minor character in Wild Wood who has a very brief scene just over halfway through the novel and I’m desperate to know more about her. What can you tell us?
Ah… I loved Hawise as soon as she turned up; in fact, you could build a whole story around her I think. She came to me out of that ancient tradition of wise-women who need to live apart from town-dwellers because they’re so different to “normal” people (who often fear them as a result.) I think, though, that Hawise had managed to pass for “normal”, sort-of, for years and years and years, except there’s that tricky little aspect to her that she does not appear to age. And, the way she’s written, she could indeed just be a bit of an outsider and nothing more. BUT, I really think she serves the Lady of the Forest and always has. There. Said enough : )
|Author Posie Graeme-Evans in her office|
Given your great success in Australian TV (McLeods Daughters and Hi-5, just to name two), what’s your first love now do you think, writing and books or television?
Aaargh! Chose between two children? Hard to do…
I had thought, after McLeods finished, that I just wanted to write full time; before, books had always come second to TV and fitted into the cracks and downtime of my production life. But, last year as I was finishing Wild Wood, I had an idea for a series and it began to badger me. Just one of those things. And now I’m developing it to shoot in New Zealand.
It’s like nothing I’ve ever done before (and I can’t tell you what it is!) but if we get through this current phase of script development (and its not called “Development Hell” for nothing) we might just have a fighting chance of getting into production. Or not. Never can tell with TV – it’s a marathon, not a sprint, and there’s never, ever any guarantee of success.
What’s your secret reading pleasure?
I like reading fact more than fiction : )
I’m happiest when…?
There’s a storm outside, the fire is lighted in the dairy, I’ve got fresh coffee and a cat or two on the chair or the couch and… I’m writing! On second thought, me and Andrew in a warm car driving through a snow storm on a road we’ve never seen before. Preferably in Scotland.
My beverage of choice is…?
In winter? A big and bloody red wine in front of a fire at night. Ah, but summer…. A crisp Prosecco does me, outside on the deck, looking at the view as the light fades
Do you have a favourite bookshop in Tasmania? If so, what makes it special?
Genuinely hard to pick favourites because there are a few I love here. Fullers, in Hobart, is lovely. It’s a genuine ‘temple of the book’ with a charming café too. And the State Theatre bookshop, in North Hobart is lovely as well – and there’s a great café next door! (yes, but really: buy a book, have a coffee; they’re inseparable for me : ) But then, I can’t ignore the Hobart Bookshop in the square behind Salamanca Place – amongst the galleries and the, yes, cafes. And, our local Dymocks right in the centre of town. They’ve always been such wonderful supporters of my books and really, really know their stock so well… Please don’t make me choose : )
|Posie is enjoying |
The Edge of the World
by Michael Pye
E-books when I’m travelling, but paper everywhere else. And, at the moment, reading a great, great book called, The Edge of the World – How the North Sea Made Us What We Are by Michael Pye. Just gorgeous, in every way. And beside The Edge of the World is just a stack of other books. A yummy, yummy prospect.
What's next? Is it true there’s going to be a sequel to Wild Wood? I really hope so, but what can you tell us?
A sequel to Wild Wood? Blimey. Hadn’t really though of that but… will now : )
Meanwhile I’ve begun writing The Outer Sea, that will be set in Wales, or Cornwall or Ireland (that’s why we stayed at Monkton Old Hall this January just past.) Too early to talk about it though. I’m superstitious!
Anything else you'd like to add?
Just my thanks to you, Tracey. I’ve enjoyed answering your questions. Stimulating!!
Thanks so much Posie, I really appreciate your time and wish you continued success. I’ll be looking forward to The Outer Sea.
I’m delighted and thrilled to feel so supported, Tracey : )